Intelligent Identification and Algorithmic Optimization of Chinese Traditional Music Elements in Dance Performance in the Internet Era

[1] Petrus, S., & Cohen, R. D. (2019). Folk Music and Political Activism in Greenwich Village and at the Newport Folk Festival, 1935–1965. Sounds and the City: Volume 2, 279-302. PetrusS. & CohenR. D. (2019). Folk Music and Political Activism in Greenwich Village and at the Newport Folk Festival, 1935–1965. Sounds and the City: Volume 2, 279-302.Search in Google Scholar

[2] Soysal, F. (2020). An analysis of the art aspect of folk music. Rast Müzikoloji Dergisi, 8(1), 2373-2381. SoysalF. (2020). An analysis of the art aspect of folk music. Rast Müzikoloji Dergisi, 8(1), 2373-2381.Search in Google Scholar

[3] Theodosopoulou, I. (2019). Semiotic approaches to “traditional music”, musical/poetic structures, and ethnographic research. Semiotica, 2019(229), 123-150. TheodosopoulouI. (2019). Semiotic approaches to “traditional music”, musical/poetic structures, and ethnographic research. Semiotica, 2019(229), 123-150.Search in Google Scholar

[4] Ying, M., Kaiyong, L., Jiayu, H., & Zangjia, G. (2019). Analysis of Tibetan folk music style based on audio signal processing. Journal of Electrical and Electronic Engineering, 9(2), 151-154. YingM.KaiyongL.JiayuH. & ZangjiaG. (2019). Analysis of Tibetan folk music style based on audio signal processing. Journal of Electrical and Electronic Engineering, 9(2), 151-154.Search in Google Scholar

[5] Almén, B. (2017). A theory of musical narrative. Indiana University Press. AlménB. (2017). A theory of musical narrative. Indiana University Press.Search in Google Scholar

[6] Kamel, A. (2018). 3 Egyptian Folk Music. Composing the Music of Africa: Composition, Interpretation and Realisation, 21. KamelA. (2018). 3 Egyptian Folk Music. Composing the Music of Africa: Composition, Interpretation and Realisation, 21.Search in Google Scholar

[7] Yang, S. (2023). Overseas Dissemination of Chinese Folk Music: A Research of Zheng Music. Highlights in Art and Design, 3(2), 40-43. YangS. (2023). Overseas Dissemination of Chinese Folk Music: A Research of Zheng Music. Highlights in Art and Design, 3(2), 40-43.Search in Google Scholar

[8] Byrne, D. (2017). How music works. Crown. ByrneD. (2017). How music works. Crown.Search in Google Scholar

[9] Carugno, G. (2018). How to protect traditional folk music? Some reflections upon traditional knowledge and copyright law. International Journal for the Semiotics of Law-Revue internationale de Sémiotique juridique, 31(2), 261-274. CarugnoG. (2018). How to protect traditional folk music? Some reflections upon traditional knowledge and copyright law. International Journal for the Semiotics of Law-Revue internationale de Sémiotique juridique, 31(2), 261-274.Search in Google Scholar

[10] Georgios, L. (2018). The Transformation of Traditional Dance from Its First to Its Second Existence: The Effectiveness of Music-Movement Education and Creative Dance in The Preservation of Our Cultural Heritage. Journal of Education and Training Studies, 6(1), 104-112. GeorgiosL. (2018). The Transformation of Traditional Dance from Its First to Its Second Existence: The Effectiveness of Music-Movement Education and Creative Dance in The Preservation of Our Cultural Heritage. Journal of Education and Training Studies, 6(1), 104-112.Search in Google Scholar

[11] Liu, S. (2022). Aesthetic Principles in Dance Performance in China and Japan. International Review of the Aesthetics and Sociology of Music, 53(2), 439-454. LiuS. (2022). Aesthetic Principles in Dance Performance in China and Japan. International Review of the Aesthetics and Sociology of Music, 53(2), 439-454.Search in Google Scholar

[12] Fdili Alaoui, S. (2019, June). Making an interactive dance piece: Tensions in integrating technology in art. In Proceedings of the 2019 on designing interactive systems conference (pp. 1195-1208). Fdili AlaouiS. (2019, June). Making an interactive dance piece: Tensions in integrating technology in art. In Proceedings of the 2019 on designing interactive systems conference (pp. 1195-1208).Search in Google Scholar

[13] FENG, L. N. (2018). Ten Years of Folk Music Curriculum Construction——A Practical Study Based on the Inheritance and Innovation of Chinese Excellent Traditional Music [A]. Advanced Science and Industry Research Center. In Proceedings of 2018 3rd International Conference on Education and Management Science (ICEMS 2018) (Vol. 4). Advanced Science and Industry Research Center: Science and Engineering Research Center. FENGL. N. (2018). Ten Years of Folk Music Curriculum Construction——A Practical Study Based on the Inheritance and Innovation of Chinese Excellent Traditional Music [A]. Advanced Science and Industry Research Center. In Proceedings of 2018 3rd International Conference on Education and Management Science (ICEMS 2018) (Vol. 4). Advanced Science and Industry Research Center: Science and Engineering Research Center.Search in Google Scholar

[14] Barbour, K., Hunter, V., & Kloetzel, M. (2019). (Re) positioning site dance: local acts, global perspectives (pp. 189-218). Intellect. BarbourK.HunterV. & KloetzelM. (2019). (Re) positioning site dance: local acts, global perspectives (pp. 189-218). Intellect.Search in Google Scholar

[15] Patience, A. O. (2023). Folk music, tradition and gender stereotypes: A feminist analysis of the work of a Nigerian folk icon. International Journal of Sociology and Anthropology, 15(1), 1-11. PatienceA. O. (2023). Folk music, tradition and gender stereotypes: A feminist analysis of the work of a Nigerian folk icon. International Journal of Sociology and Anthropology, 15(1), 1-11.Search in Google Scholar

[16] Kitata, M. (2020). Sexualising the performance, objectifying the performer: The twerk dance in Kenya. Agenda, 34(3), 11-21. KitataM. (2020). Sexualising the performance, objectifying the performer: The twerk dance in Kenya. Agenda, 34(3), 11-21.Search in Google Scholar

[17] Nanay, B. (2023). Frissons in dance. The Journal of Aesthetics and Art Criticism, 81(1), 15-23. NanayB. (2023). Frissons in dance. The Journal of Aesthetics and Art Criticism, 81(1), 15-23.Search in Google Scholar