Intelligent Identification and Algorithmic Optimization of Chinese Traditional Music Elements in Dance Performance in the Internet Era
21 mars 2025
À propos de cet article
Publié en ligne: 21 mars 2025
Reçu: 13 nov. 2024
Accepté: 13 févr. 2025
DOI: https://doi.org/10.2478/amns-2025-0674
Mots clés
© 2025 Tao Wang, published by Sciendo
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Figure 1.

Expert interview preliminary factor
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | Total | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Music festival | √ | √ | √ | √ | √ | √ | √ | √ | √ | √ | 10 |
| music | √ | √ | √ | √ | √ | √ | √ | 7 | |||
| Music emotion | √ | √ | √ | √ | √ | √ | √ | 7 | |||
| Action position | √ | √ | √ | √ | √ | √ | √ | 7 | |||
| Action form | √ | √ | √ | √ | √ | √ | 6 | ||||
| complexity | √ | √ | √ | √ | √ | √ | 6 | ||||
| Space utilization | √ | √ | √ | √ | √ | 5 | |||||
| Action style | √ | √ | √ | √ | 4 | ||||||
| Fitness effect | √ | √ | √ | √ | √ | √ | 6 | ||||
| Aesthetic emotion | √ | √ | √ | √ | √ | √ | √ | 7 | |||
| National costume | √ | √ | √ | √ | 4 |
The national music elements are integrated into the dance creation
| Year | Music length | Music speed | Music structure | Music style |
|---|---|---|---|---|
| 2022 | 1’49’’ | 26/12 | Above five | Strong and integrated Peking Opera |
| 2023 | 1’59’’ | 26/12 | Above five | Happy movement, integrated into raptura, yue drama, singing |
The national music classification used in the dance
| 2022 | 2023 | ||||||
|---|---|---|---|---|---|---|---|
| Traditional music | Application type | Application range | Usage degree | Beat (4×8) | Application range | Usage degree | Beat (4×8) |
| Folk song | Minor adjustment | Medium, after | 4 | 4 | After | 3 | 5 |
| Folk song | After | 6 | 2 | Medium, after | 4 | 1 | |
| Musical instrument | Blowpipe | Before, medium, and after | 0 | 2 | Before, medium, and after | 0 | 1 |
| Carade | - | 0 | - | Medium | 1 | 4 | |
| Percussion | Before, medium, and afte | 0 | 4 | Before, medium | 0 | 7 | |
| Opera | Peking Opera | Medium, and after | 2 | 12 | Medium, and after | 3 | 3 |
| Yue opera | - | 0 | - | Medium, and after | 3 | 5 | |
| Commentary | Medium, and after | 3 | 2 | Medium | 4 | 1 | |
Music use analysis
| Arbitrage | Rhythm | Paragraph | Duration |
|---|---|---|---|
| Dai dance | |||
| South of the clouds | 3/4 | 2 | 2’54’’ |
| moon | 3/4 | 2 | 3’6’’ |
| Tibetan dance | |||
| Lucky rumor | 2/4 | 2 | 3’16’’ |
| The love of heaven | 3/4 | 2 | 3’45’’ |
| Mongolian dance | |||
| Wait for you | 4/4 | 3 | 3’42’’ |
| Search for heart | 3/4 | 2 | 4’16’’ |
| Uygur dance | |||
| Lift up your cover | 3/4 | 3 | 2’32’’ |
| Why is the flower red | 2/4 | 3 | 3’54’’ |
The music elements are integrated into the dance creation
| Year | Music length | Music speed | Music structure | Music style |
|---|---|---|---|---|
| 2022 | 1’24’’ | 32/12 | Tricmore | Infectious, national music |
| 2023 | 1’29’’ | 32/12 | Strong mood and a strong rhythm |
Six factor weighting evaluation table
| Factor/score | 1 | 2 | 3 | 4 | 5 | Total |
|---|---|---|---|---|---|---|
| Music festival | 1 | 2 | 5 | 11 | 31 | 219 |
| Music melody | 2 | 2 | 6 | 8 | 32 | 216 |
| Action position | 1 | 7 | 2 | 15 | 25 | 206 |
| Action form | 1 | 7 | 4 | 14 | 22 | 193 |
| Fitness effect | 2 | 8 | 9 | 6 | 25 | 194 |
| Aesthetic emotion | 3 | 8 | 10 | 8 | 21 | 186 |
Analysis of the use of traditional theme elements
| 2022 | 2023 | ||
|---|---|---|---|
| Statistics on formation changes | Fixed formation | 7 | 7 |
| Flow formation | 14 | 14 | |
| Repeat formation | 4 | 3 | |
| Flow/total | 56% | 58.3% | |
| Formation change type statistics | Straight line | 4 | 3 |
| Oblique line | 2 | 2 | |
| Triangle | 2 | 4 | |
| Rhombus | 10 | 7 | |
| Trapezoid | 2 | 3 | |
| Irregular form | 4 | 4 | |
| Total amount | 24 | 23 |
