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Research on Technical Support and Resource Sharing Mechanism Strategy of Mixed Teaching Mode in Piano Music Education

  
17 mar 2025

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Introduction

In recent years, with the rise of MOOC, blended teaching mode has taken on a new connotation. Flipped classroom is used as a powerful means to strengthen the learning effect of MOOC, combining online learning with offline discussion, i.e., students first study the pre-recorded or specified video materials of the teacher online to obtain preliminary knowledge, and then discuss and learn with the teacher in the classroom on the problems they don’t understand or have doubts about, which is aimed at maximizing the learning effect of the students [1-4]. The basic idea is to flip the traditional learning process so that learners can complete independent learning for knowledge points and concepts outside of class time, and the classroom is turned into a place for interactions between teachers and students, which is mainly used for answering doubts and debriefing discussions so as to achieve better teaching and learning results [5-8]. In short, blended teaching is a combination and supplementation of network online learning and traditional classroom teaching, which can play the leading role of the teacher as well as reflect the subjectivity of the students, so as to achieve better teaching results.

Compared with the traditional piano music teaching mode, the blended teaching mode piano music education can combine multimedia, the Internet and other technologies with the basic knowledge of piano theory, performance technology, simulation of music scenes and so on, so as to enrich the teaching methods and content, and to enhance the students’ music and cultural literacy [9-12]. On the one hand, based on digital technology to carry out piano music education for students boring theoretical knowledge learning to add interest, which can inspire students for piano music learning enthusiasm. On the other hand, through the digital technology can give full play to the huge resource advantage of the Internet, the piano music education related information collection, organization, analysis, greatly enrich the piano music teaching content, broaden the knowledge of students, so that students can understand a more comprehensive knowledge of the piano culture, and at the same time enhance the students’ artistic aesthetic ability, so that the students in the process of piano music learning to explore a suitable for their own artistic development path [13-16].

Combined with the characteristics of the piano mixed teaching mode, use wavelet threshold denoising to optimize multimedia image presentation and build a multimedia piano music teaching system.Analyze the characteristics of digital piano teaching resources and use a non-iterative clustering algorithm to design a method for sharing piano music digital resources.Using space vectors to characterize students’ interests and using clustering methods to provide personalized recommendation services for piano music teaching resources. Setting up the teaching content and teaching objectives of the piano music blended teaching mode, analyzing the learners and teaching methods, and combining the similarity calculation method proposed in this paper to explore the impact of the blended teaching mode on the learning effect of piano music.

Design of a blended learning system for piano music education
Characteristics of Piano Blended Teaching Model

The teaching and learning of piano music hybrid teaching mode is a way of combining face-to-face teaching with multimedia technology means, which retains the basis of traditional teaching, reorganizes the advantages of teaching resources with the help of online platforms for courses, combines different learning styles and teaching elements in a scientific and targeted way, and creates a forward-looking, sustainable and multidisciplinary cross-fertilization teaching mode. The hybrid mode has significantly improved the efficiency of teaching and learning, as well as enabled flexible interaction between teaching and learning, resulting in the free flipping of online and offline classrooms.

Multimedia piano music teaching system design model
Multimedia piano music teaching system design

The design of teaching systems is crucial to actual teaching activities, as it clearly outlines the relationship between different teaching elements and the needs of the teaching process and can assist in the development of teaching activities.

The study developed an instructional design model that is correlated with the use of multimedia computer technology for piano music teaching.As a simplification of teaching activities, the instructional design model reflects or reproduces actual teaching practices. Piano music teaching follows the principle of student subjectivity, according to the specific needs of teaching and learning, when using multimedia, students must be brought into the corresponding teaching situation, stimulate learning motivation, so that they can receive the knowledge imparted to the greatest extent possible.

The instructional design model for preschool teaching using multimedia is shown in Figure 1, which designs the multimedia piano music teaching system into five major components, namely, teaching content, objectives, teaching activities, multimedia instructional design and teaching evaluation. Teachers, as facilitators of the whole teaching activities, first need to analyze the learning objectives and content, so that they can choose and produce multimedia courseware that meets the students’ psychological characteristics and play a leading and guiding role in media design, and finally, the evaluation of the whole teaching effect. According to the feedback from the evaluation results, i.e. students’ self-assessment or mutual assessment among students, teachers optimize the multimedia teaching.

Figure 1.

Multimedia piano music teaching system design model

Wavelet Transform Based Multimedia Image Denoising

The multimedia course information is an important means of piano teaching, but in practice, the vast majority of the multimedia information with reference price value has the problem of low definition. Aiming at the problem, this paper puts forward the method of denoising the noise of multimedia image based on wavelet change, and optimizing the teaching resources of piano.

Continuous wavelet transform

If the function ψ(x)∈L2(R) satisfies the condition: Cψ=R|ψ^(ω)|2|ω|dω< \[{{C}_{\psi }}=\int_{R}{\frac{|\hat{\psi }(\omega ){{|}^{2}}}{|\omega |}}d\omega <\infty \] where ψ^(ω)$\hat{\psi }(\omega )$ is the Fourier transform of ψ(x) such that: ψa,b(x)=|a|12ψ(xba) \[{{\psi }_{a,b}}(x)=|a{{|}^{-\frac{1}{2}}}\psi \left( \frac{x-b}{a} \right)\]

Then we have f(x)∈L2(R). The continuous wavelet transform of a function is defined as: Wf(a,b)= f,ψa,b =|a|12Rf(x)ψ(xba)dx \[{{W}_{f}}(a,b)=\left\langle f,{{\psi }_{a,b}} \right\rangle =|a{{|}^{-\frac{1}{2}}}\int_{R}{f}(x)\psi \left( \frac{x-b}{a} \right)dx\]

Its corresponding inverse transformation is: f(x)=Cψ212R2Wf(a,b)ψa,b(x)dadba2 \[f(x)=C_{{{\psi }^{2}}}^{-\frac{1}{2}}\iint_{{{R}^{2}}}{{{W}_{f}}}(a,b){{\psi }_{a,b}}(x)\frac{dadb}{{{a}^{2}}}\]

In the above equation, ψ(x) is called the fundamental wavelet, and equation (2) is called the “tolerance condition”, and ψa,b(x) is also the result of shifting and stretching of the fundamental wavelet ψ(x). The reason why ψ(x) is called “wavelet” is that the function of the fundamental wavelet must satisfy R| ψ(x) |dx<$\int_{R}{\left| \psi (x) \right|}dx<\infty $, i.e., ψ(x) has the attenuation property, and ψ(x) is a locally non-zero tightly branched function. ψ(x) is called a “wave” by the boundedness of the integral of the tolerance theorem, i.e., the Fourier transform of ψ(x) must be zero when ω = 0, i.e.,: ψ(x)dx=0 \[\int_{-\infty }^{\infty }{\psi }(x)dx=0\]

Otherwise Cψ would tend to infinity at ω = 0. This means that ψ(x) is volatile.

Since x,b is a continuous variable in equation (3), it is called continuous wavelet transform (CWT). The difference between continuous wavelet and Fourier transform is that the Fourier transform f^(ω)$\hat{f}(\omega )$ of f(x) represents the content of the signal f(x) at frequency ω, so the Fourier transform is a method of frequency domain analysis, whereas the Fourier inverse transform is the reconstruction of f(x) from f^(ω)$\hat{f}(\omega )$. For the continuous wavelet transform, it is the transformation of the signal f(x) into an information Wf(a,b) containing two parameters a,b, where a is the scaling factor so that its change represents the change of frequency and b is the translation factor, and its change represents the change in time. In this way, the continuous wavelet transform Wf(a,b) is a time-frequency domain transform.

Discrete Wavelet Transform

In signal processing, continuous wavelets and their wavelet transforms need to be discretized in order to be realized by a computer. As a convenient form, computer implementation of the discrete wavelet is often binary discretization, and the discretized wavelet and the corresponding wavelet transform is called the discrete wavelet transform (DWT). The discrete wavelet transform is obtained by discretizing the scales and displacements of the continuous wavelet transform according to powers of 2, so it is also called the binary wavelet transform.

In continuous wavelets, consider the function (2), where bR,aR, and a ≠ 0,ψ are admissible, and for convenience, in discretization, such that a can only take positive values, so that the admissibility condition for discrete wavelets is: Cψ=R+|ψ^(ω¯)|2|ω¯|dω¯< \[{{C}_{\psi }}=\int_{{{R}^{+}}}{\frac{|\hat{\psi }(\bar{\omega }){{|}^{2}}}{|\bar{\omega }|}}d\bar{\omega }<\infty \]

The scale parameter a and the translation parameter b in the continuous wavelet transform are generally discretized as a=a0j$a=a_{0}^{j}$,b=ka0jb0$b=ka_{0}^{j}{{b}_{0}}$, where jZ, a0 are fixed and not equal to 1. So the discrete wavelet function ψj,k(x) corresponding to the fundamental wavelet ψ(x) can be written: ψj,k(x)=a0j2ψ(xka0jb0a0j)=a0j2ψ(a0jxkb0) \[{{\psi }_{j,k}}(x)=a_{0}^{-\frac{j}{2}}\psi \left( \frac{x-ka_{0}^{j}{{b}_{0}}}{a_{0}^{j}} \right)=a_{0}^{-\frac{j}{2}}\psi \left( a_{0}^{-j}x-k{{b}_{0}} \right)\]

And the discretized wavelet coefficients can be expressed as: Cj,k=f(x)ψj,k*(x)dx=<f,ψj,k> \[{{C}_{j,k}}=\underset{-\infty }{\overset{\infty }{\mathop \int }}\,f(x)\psi _{j,k}^{*}(x)dx=<f,{{\psi }_{j,k}}>\]

Its reconstruction formula is: f(x)=CCj,kψj,k(x) \[f(x)=C\sum\limits_{-\infty }^{\infty }{\sum\limits_{-\infty }^{\infty }{{{C}_{j,k}}}}{{\psi }_{j,k}}(x)\]

C is a signal-independent constant.

Multi-resolution analysis

Multi-resolution analysis is established by a scale function, so the establishment of multi-resolution analysis is equivalent to finding the nature of the scale function in the framework of multi-resolution analysis, and the following scale function equation relation is established according to VjVj+1 as well as Vj+1 = VjVj.

Assuming that {Vn;nZ} is an orthogonal multiresolution analysis with a scale function φ , the following scale relation holds: φ(x)=kZhkφ(2xk) \[\varphi (x)=\sum\limits_{k\in Z}{{{h}_{k}}}\varphi (2x-k)\]

Among them: hk=2+φ(x)φ(2xk)¯dx \[{{h}_{k}}=2\int_{-\infty }^{+\infty }{\varphi }(x)\overline{\varphi (2x-k)}dx\]

And there is: φ(2j1xl)=kZhk2iφ(2jxk) \[\varphi \left( {{2}^{j-1}}x-l \right)=\sum\limits_{k\in Z}{{{h}_{k-2i}}}\varphi \left( {{2}^{j}}x-k \right)\]

Eq. (12) can sometimes be equivalently expressed as: φji,l(x)=22kZhk2lφj,k(x) \[{{\varphi }_{j-i,l}}(x)=\frac{\sqrt{2}}{2}\sum\limits_{k\in Z}{{{h}_{k-2l}}}{{\varphi }_{j,k}}(x)\] φj,l(x)=2j2φ(2jxk)${{\varphi }_{j,l}}(x)={{2}^{\frac{j}{2}}}\varphi \left( {{2}^{j}}x-k \right)$ of them.

The concept of multiresolution analysis can be viewed as a mathematical description of target awareness from visual observation. As the scale increases, the closer to the target, the more information it contains. As the scale decreases, the further away from the target, the less information it contains.

Wavelet thresholding denoising method

Wavelet denoising is essentially a function of the approximation process, is composed of wavelet function translation and expansion of the function space to find the best approximation of the image, in order to achieve the purpose of distinguishing between the noise and the original image.

Threshold denoising method is to set a threshold T by calculation, then the wavelet coefficients obtained from decomposition are thresholded, and finally the denoising process is completed by inverse transform.

Set y is the original wavelet coefficients, T is the threshold value, and T(y) is the thresholded wavelet coefficients. There are two commonly used threshold functions:

Hard threshold function: Th(y)={ 0|y|<Ty|y|T \[{{T}_{h}}(y)=\left\{ \begin{array}{*{35}{l}} 0 & |y|<T \\ y & |y|\ge T \\ \end{array} \right.\]

Soft Threshold Functions: Ts(y)={ 0|y|<Tsgn(y)(|y|T)|y|T \[{{T}_{s}}(y)=\left\{ \begin{matrix} 0 & |y|<T \\ sgn (y)(|y|-T) & |y|\ge T \\ \end{matrix} \right.\]

Wavelet threshold denoising method is the most widely used, and the algorithm is computationally small and simple to implement. Therefore, this paper chooses wavelet threshold denoising method as the denoising method of this design.

Resource-sharing mechanisms in piano music education
Characteristics of digital teaching resources for piano music

Traditional teaching resources consist of paper textbooks and blackboard chalk teaching tools, which have provided stable support for the field of education over a long period of time. However, their content is slow to update, not easy to make personalized adjustments, and with limited scope of use and interactivity, the one-way transmission teaching mode is not conducive to students’ active participation and in-depth understanding. Therefore, it is very necessary to discuss modernized teaching resources in the context of digitalization, and the analysis of the characteristics of digital teaching resources for piano music is shown in Figure 2.

Figure 2.

Analysis of the characteristics of piano music digital teaching resources

The most important feature of modernized digital teaching resources for piano music is that they are text-based, incorporating diverse forms of images and videos, which provide learners with a rich sensory experience.This combination of multimedia not only makes information delivery more intuitive and vivid, but also enhances the attractiveness of learning.

More importantly, these resources are generally highly interactive (simulating a classroom), allowing students to actively participate in the learning process, thus increasing learning effectiveness and interest.

Digital teaching resources are highly flexible. Teachers have the ability to easily adapt and personalize the resources according to the lesson plan and student needs.

Algorithm for Piano Music Education Resource Sharing
Design and implementation of a resource-sharing platform

The overall flow of the recommendation algorithm proposed in this paper is shown in Fig. 3.The input of the algorithm includes a collection of users and a collection of files, and the output is a list of recommendations for the current user. The algorithm first needs to utilize the clustering algorithm to cluster the users. After processing, each user receives a class cluster label, which is stored as knowledge in the knowledge base along with file characteristics, user downloads, and other information. When generating a recommendation list for a user, first determine the class cluster to which the user currently belongs, and search for the first K most similar user in the current class cluster. Based on the downloads of these K users, the top N most downloaded files are selected as the final recommendation list for the user.

Figure 3.

The overall process of the recommended algorithm

Non-Iterative Clustering Algorithms

This paper uses a non-iterative clustering algorithm. The advantages of this algorithm are:

1) There is no need to determine the number of class clusters in advance.

2) There is no need to initialize the class cluster centers artificially.

3) No iteration is required, which greatly reduces the time overhead.

The basic idea of this clustering algorithm is to find, by observation, that the instances around the instance of the class center have a lower local density than it and are farther away from the instances with a higher local density than it. It is possible to count the local density ρ of each sample and the minimum distance δi from the sample with higher local density: ρi=jχ(dijdc) \[{{\rho }_{i}}=\sum\limits_{j}{\chi }\left( {{d}_{ij}}-{{d}_{c}} \right)\] δi=minj:ρj>ρi(dij) \[{{\delta }_{i}}=\underset{j:{{\rho }_{j}}>{{\rho }_{i}}}{\mathop{\min }}\,\left( {{d}_{ij}} \right)\] where χ(x) is the indicator function: when x<0,χ(x) = 1 . Otherwise χ(x) = 0. dij denotes the distance between instance i and instance j in the feature space, and dc is the threshold.

Assuming that the feature space X is a n-dimensional real vector space Rn, the distance dij between two users xi,xjX, xi=(xi(1),xi(2),,xi(n))T${{x}_{i}}={{\left( x_{i}^{(\text{1})},x_{i}^{(2)},\ldots ,x_{i}^{(n)} \right)}^{T}}$,xj=(xj(1),xj(2),,xj(n))T\[{{x}_{j}}={{\left( x_{j}^{(1)},x_{j}^{(2)},\ldots ,x_{j}^{(n)} \right)}^{T}}\], xi and xj is defined as: dij=(l=1n| xi(l)xj(l) |p)1p \[{{d}_{ij}}={{\left( \sum\limits_{l=1}^{n}{{{\left| x_{i}^{(l)}-x_{j}^{(l)} \right|}^{p}}} \right)}^{\frac{1}{p}}}\] where p in Eq. should not be less than 1. When p = 1, dij is called the Manhattan distance between xi and xj, i.e: dij=l=1n| xi(l)xj(l) | \[{{d}_{ij}}=\sum\limits_{l=1}^{n}{\left| x_{i}^{(l)}-x_{j}^{(l)} \right|}\]

If p = 1 is set, dij is called the Euclidean distance of xi and xj, viz: dij=(l=1n| xilxjl |2)12=l=1n| xilxjl |2 \[{{d}_{ij}}={{\left( \sum\limits_{l=1}^{n}{{{\left| x_{i}^{l}-x_{j}^{l} \right|}^{2}}} \right)}^{\frac{1}{2}}}=\sqrt{\sum\limits_{l=1}^{n}{{{\left| x_{i}^{l}-x_{j}^{l} \right|}^{2}}}}\]

If p = ∞ is set, dij is called the maximum value of the coordinate distance between xi and xj, i.e: dij=maxl| xi(l)xj(l) | \[{{d}_{ij}}=\underset{l}{\mathop{\max }}\,\left| x_{i}^{(l)}-x_{j}^{(l)} \right|\]

The widely used Euclidean distance is chosen in this algorithm.

From the analysis it is clear that the points where both ρi and δi are higher are the class cluster centers, the points where ρi is lower and δi is higher are the noise points while the other points are the normal points. The algorithm does not require iteration and groups all normal points into the class in which the nearest class center is located.

Personalized services for piano music teaching resources

Personalized service refers to the traditional information services on the basis of the Internet environment, combined with the characteristics of user needs, and ultimately provide users with more differentiated, personalized service, which is user demand-oriented innovative services, belonging to an active service mode. Provide more personalized environment for users, so as to meet the user’s information needs, which is the information service tends to vertical development, horizontal development of the core content.

According to the user demand analysis, the main focus is on acquiring user information and tracking user behavior. For example:

1) Realize the construction of user information base. The user information base mainly aggregates the user’s basic information, the first reference to a variety of different data acquisition methods for the user to obtain relevant information data, and then realize the construction of user information data, data support is conducive to the construction of a more reasonable user model.

2) Comprehensive analysis of user customization behavior. The first step is to analyze the common characteristics of qualitative users, establish association rules, and finally provide personalized information services to the user group that follows the association rules.

3) Comprehensive analysis of user browsing behavior. Tracking user behavior and mining user interests, and ultimately providing personalized information services according to user needs.

Representation of the student interest model

1) In this study, spatial vectors are chosen to represent the information of students’ interest characteristics, and each vector represents a quantitative dimension of interest, which contains quantitative indicators of interest and their corresponding weight values, such as a n-dimensional feature vector of students’ interest model can be expressed as Equation (22): S={ v1,v2,,vi }={ (l1,w1),(l2,w2),,(li,wi) }1in \[S=\left\{ {{v}_{1}},{{v}_{2}},\ldots ,{{v}_{i}} \right\}=\left\{ \left( {{l}_{1}},{{w}_{1}} \right),\left( {{l}_{2}},{{w}_{2}} \right),\ldots ,\left( {{l}_{i}},{{w}_{i}} \right) \right\}1\le i\le n\] where S represents students’ interest, and vi denotes one of the quantitative dimensions of students’ interest, which consists of the quantitative indicator of interest li and its corresponding weight wi.

In this study, a vector space model is constructed from the three dimensions of interest episodic behavior, i.e., classroom attention, classroom engagement, and learning emotion, and a time vector is used as a variable to characterize students’ interest in classroom learning, which can be expressed as Equation (23): St={ Gt,Bt,Et }={ (Gt,w1),(Bt,w2),(Et,w3) } \[{{S}_{t}}=\left\{ {{G}_{t}},{{B}_{t}},{{E}_{t}} \right\}=\left\{ \left( {{G}_{t}},{{w}_{1}} \right),\left( {{B}_{t}},{{w}_{2}} \right),\left( {{E}_{t}},{{w}_{3}} \right) \right\}\] Where St represents students’ interest in classroom learning at the moment of t, Gt represents students’ level of classroom attention at the moment of t, Bt represents students’ level of classroom participation at the moment of t, and Et represents students’ emotional state of learning at the moment of t.

2) The specific steps for K-means clustering are two-steps:

The first step is to minimize the total cluster variance with respect to the cluster mean { μ^j }j=iK$\left\{ {{{\hat{\mu }}}_{j}} \right\}_{j=i}^{K}$ for a given encoder C, i.e., to complete the following minimization: min{ μ^j }j=iKj=iKC(i)=j x(i)μ^j 2 \[\underset{\left\{ {{{\hat{\mu }}}_{j}} \right\}_{j=i}^{K}}{\mathop{\min }}\,\sum\limits_{j=i}^{K}{\sum\limits_{C(i)=j}{{{\left\| x(i)-{{{\hat{\mu }}}_{j}} \right\|}^{2}}}}\]

The second step is to minimize the encoder, i.e., complete the following minimization: C(i)=argmin1jK x(i)μ^j 2 \[C(i)=\arg \underset{1\le j\le K}{\mathop{\min }}\,{{\left\| x(i)-{{{\hat{\mu }}}_{j}} \right\|}^{2}}\]

According to the three-dimensional spatial vector model proposed in the previous section, time is used as a variable to construct a collection of spatial vectors of students’ interests from the three dimensions of interest information of interest episodic behaviors, an initial clustering center is selected and the centroids are randomly initialized several times to select the one vector with the best running result as the student’s level of interest in learning in a class.

Recommendations based on students’ learning interests

Obtain student interest vectors from the student interest pool, calculate the similarity between students and students, sort the students according to the similarity, and recommend the topics studied by the top 10 students in terms of similarity. The specific algorithms are as follows:

1) Student similarity is calculated using Euclidean distance n-dimensional vector formula distance between two students, fi = {(s1,w1),s2,w2),⋯,(sn,wn)}, fj = {(s1,w1),s2,w2),⋯,(sn,wn)}, the specific formula is as follows: rij=k=1n(WikWjk)2 \[{{r}_{ij}}=\sqrt{\sum\limits_{k=1}^{n}{{{\left( {{W}_{ik}}-{{W}_{jk}} \right)}^{2}}}}\]

2) Obtain the fuzzy similarity matrix R and modify R using the following equation: rij={ 1rij..λ0rij<λ ${{r}_{ij}}=\left\{ \begin{array}{*{35}{l}} 1 & {{r}_{ij}}.. \lambda \\ 0 & {{r}_{ij}}<\lambda \\ \end{array} \right.$

The λ in the system uses static values, which are set to 0.2, 0.5, and 0.8, representing fuzzy, ordinary, and exact user similarity.

3) Based on the similarity matrix and the current λ value, the student’s similarity list LS is generated.

4) The current user traverses LS to obtain the list of topics studied by users with similar interests in reverse order.

5) Present the list of topics for students to choose to study.

Case studies of practical applications of blended piano music teaching
Design and Use of Blended Instruction in Piano Music

This paper selects a music college piano major freshman students, 469 piano majors for piano music blended teaching, time from September 18, 2023, until October 28, 2023, a total of six weeks of teaching experiments. At the end of the teaching experiment, the 469 piano majors were counted for their grades, and in order to ensure the validity of the data, individual data among them were excluded, and the final data of 435 students were obtained.

Learner analysis

Analysis of the study of sample students. The learners are both students of the piano major, and their cognitive structure is transformed from the specific image thinking to the abstract logical thinking, but it is still in the stage of undiscipline, which is the preliminary logical thinking. Most students are still in the imitation phase of piano learning and have not yet developed their own style.

Analysis of teaching content and objectives

Teaching Objective: To understand the phenomenon and concept of piano music, to grasp the basic style of piano music, and to feel the new charm it presents. Feel the artistic image, language, and expression brought by the piano.Experience the emotion and connotations of different forms of works, and be able to pay attention to the development of piano music art.

Analysis of teaching methods

Teachers use the contextual teaching method to create an atmosphere for piano music learning in the course introduction, guide students to enter the classroom quickly, and make students view different piano playing works through the appreciation teaching method to stimulate students’ interest. Using the demonstration method for song sheet with singing, encouraging students to go on the stage to show, and actively adopting the independent, inquiry and cooperative learning methods, the process of the teacher imparting knowledge into the process of students actively constructing knowledge, so as to cultivate the students’ ability to independently think and analyze the problems, and to complete the learning objectives through communication and cooperation.

Selection of recommended methods for piano music resources

The results of student similarity calculation are shown in Fig. 4. To demonstrate the effectiveness of the student similarity method in this paper, the trends of RMSE and MAE with the number of neighbors k were calculated using different similarity calculation methods as shown in Fig. 4 (a) and (b).

Figure 4.

Student similarity calculation results

The similarity method proposed in this paper is compared with the original Pearson similarity, cosine similarity, and Jaccard similarity, and it can be seen from the figure that the RMSE as well as the MAE decreases with the increase of k, which represents the increasing accuracy of the recommendation and the similarity method proposed in this paper is superior to the other computational methods for the same value of k. The similarity method proposed in this paper has a higher RMSE than the other computational methods in the case of iteration. The RMSE value obtained after 55 iterations is 0.447, and the MAE value is 0.238.

Effectiveness of Piano Music Blending
Overall situation analysis

In this study, the learning effect of students’ blended learning under the blended teaching model was assessed in the form of a questionnaire to enable the respondents to assess their learning effect, and then statistically organized to find the average value.

The questionnaire adopts a five-point scoring method, with a value of 1 for complete non-compliance, 2 for non-compliance, 3 for general compliance, 4 for comparative compliance, and 5 for complete compliance, and the results are summarized in descriptive statistics, and the results of the students’ learning effects under the blended teaching mode are shown in Table 1.

The learning effect of the mixed teaching model

Various indexes Mean value Variance Minimum value Maximum value Sample size
Learning effect 3.962 0.782 2.041 4.536 435
Cognition 3.855 0.806 2.365 4.682 435
Piano music skills 3.793 0.731 2.479 4.331 435
Emotional attitude 3.817 0.795 2.835 4.425 435

The average value of learning effect achieved by 435 students through blended learning is 3.962, which is between general and more conformity, while the mean value of cognitive dimension, skill dimension, and affective attitude dimension is higher than 3.5, which indicates that the impact of blended learning on students’ learning effect under blended teaching mode is at a medium-high level, and at the same time, there are also some reasons affecting students’ learning effect.

Blended learning and piano learning outcomes
Correlation analysis

Before regression analysis, it is necessary to determine whether there is a certain correlation between the variables, so this study used Pearson product-difference correlation analysis with two-tailed test for the research object to detect whether there is a correlation between the variables. If the correlation coefficient takes values between 0 and 1, it means that there is a positive correlation between the variables.If the correlation coefficient is between -1 and 0, it indicates that the variables are negatively correlated. The study used SPSS22.0 software to analyze the correlation between the three dimensions of blended learning and learning effectiveness, and the results of the correlation analysis between blended learning and learning effectiveness are shown in Table 2.

Analysis of hybrid learning and learning effect

Hybrid learning Cognition Piano music skills Emotional attitude Learning effect
Hybrid learning 1
Cognition 0.582** 1
Piano music skills 0.604** 0.834** 1
Emotional attitude 0.595** 0.901** 0.950** 1
Learning effect 0.573** 0.917** 0.973** 0.919** 1
Mean 3.224 15.986 30.021 21.447 21.438
Standard deviation 0.618 3.315 6.728 5.483 5.012
*, **, *** represent significant levels respectively 0.05, 0.01, 0.001

The mean values of the five-variable measurements of blended learning, cognitive dimension, skill dimension, affective attitude, and learning effect were 3.224, 15.986, 30.021, 21.447, and 21.438, respectively, and the standard deviations of the five variables were 0.618, 3.315, 6.728, 5.483, and 5.012, respectively.

From the Pearson coefficient, it can be seen that the p-value of cognitive dimensions, skill dimensions, affective attitudes, and learning effects in the students’ learning effects are less than 0.01, and have a significant positive correlation with the blended learning, which can be considered that the variables have the conditions for regression analysis.

Regression analysis

Introducing control variables (grade, gender, major) and dependent variables cognitive, skill, and affective attitude learning effects for regression analysis, the results are shown in model 1. Then the independent variable blended learning is introduced and the results are shown in Model 2. The impact of blended learning on students’ learning outcomes is analyzed as shown in Table 3.

Analysis of the impact of hybrid learning on students’ learning results

Dependent variable Cognition Piano music skills Emotional attitude
Model 1 Model 2 Model 1 Model 2 Model 1 Model 2
Control variable Grade -0.087 -0.035 -0.163** -0.085 -0.098 -0.053
Gender -0.052 -0.007 -0.091 -0.057 -0.067 -0.025
Majors 0.000 -0.003 0.008 0.009 -0.028 -0.039
Independent variable Hybrid learning 0.587*** 0.572*** 0.599***
After adjustment R2 0.003 0.268 0.059 0.705 0.009 0.224
Model statistics F 2.801 56.201 5.606 62.017 3.001 41.028
DW 1.961 1.978 2.093 2.541 1.977 1.998

Cognitive model 1 shows that the grade, gender, and major control variables do not have a significant effect on the dependent variable cognitive learning effect, and at this time the 1 of the regression model is 0.003. When the independent variable blended learning is added to model R2, the R2 of the regression model is significantly increased to 0.268, indicating that blended learning explains 37.8% of the variance variance of the cognitive learning effect, and the regression coefficient of the blended learning on cognitive learning effect is 0.587, with a p-value significant at the 0.001 level. The regression coefficient of blended learning is 0.587, with a p-value significant at the 0.001 level, and the DW value is 1.961, indicating a positive correlation between blended learning and cognitive learning effects. Similarly, there is a positive correlation between blended learning and the learning effects of skills and affective attitudes.

Conclusion

This paper uses multimedia technology to design and build a piano music-blended teaching system, according to the characteristics of piano music digital resources, combined with non-iterative clustering algorithms to achieve digital resource sharing, construction of personalized services for piano music teaching content, and enrichment of the piano music-blended teaching mode based on the combination of online and offline.

We are analyzing the impact of the blended teaching mode on piano learning by citing examples of piano music. Analyzing the learners, teaching content and teaching objectives, and teaching methods of the piano music blended teaching mode, introducing grade, gender, and specialty control variables and dependent variables cognitive, skill, and affective attitude learning effects for regression analysis, the regression coefficients of blended learning on cognitive, skill, and affective attitude learning effects are 0.587, 0.572, and 0.599, with the p-values being significant at the 0.001 level, which It shows that there is a positive correlation between blended learning and cognitive learning effects. Similarly, there is a positive correlation between blended learning and the learning effects of skills and affective attitudes. Using the blended teaching mode for piano music can effectively improve the learning process.