Open Access

Digital Intelligence Technology-Driven Transformation and Innovation Research on Choreography Design

  
Jun 05, 2025

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Figure 1.

Diffusion model
Diffusion model

Figure 2.

Stage light tracking triangulation of two views
Stage light tracking triangulation of two views

Figure 3.

The overall normal distribution histogram of the eye movement index
The overall normal distribution histogram of the eye movement index

Figure 4.

The heart rate signal of four subjects was collected
The heart rate signal of four subjects was collected

Figure 5.

Test result
Test result

Figure 6.

The tracking algorithm is solved
The tracking algorithm is solved

Figure 7.

Dance beauty spatial feature D/H ratio
Dance beauty spatial feature D/H ratio

Figure 8.

Visual entropy statistics for dancing scenes
Visual entropy statistics for dancing scenes

Other sensory experiences

Performance element Satisfaction Number of people Score Percent
Perfume rain smell experience Very satisfied 24 120 0.6
Relatively satisfied 10 40 0.25
Normal 4 12 0.1
Not satisfied 2 4 0.05
Very dissatisfied 0 0 0
Perfume rain meets the stage atmosphere Very satisfied 25 125 0.625
Relatively satisfied 11 44 0.275
Normal 4 12 0.1
Not satisfied 0 0 0
Very dissatisfied 0 0 0

The audience analyzed the performance of the performance

Performance element Satisfaction Number of people Score Percent
Dance together with the overall shape Very satisfied 22 110 0.55
Relatively satisfied 10 40 0.25
Normal 5 15 0.125
Not satisfied 2 4 0.05
Very dissatisfied 1 1 0.025
Stage lighting effect Very satisfied 26 130 0.65
Relatively satisfied 9 36 0.225
Normal 3 9 0.075
Not satisfied 1 2 0.025
Very dissatisfied 1 1 0.025
Dance expression Very satisfied 23 115 0.575
Relatively satisfied 9 36 0.225
Normal 4 12 0.1
Not satisfied 3 6 0.075
Very dissatisfied 1 1 0.025
Stage scheduling form Very satisfied 24 120 0.6
Relatively satisfied 8 32 0.2
Normal 5 15 0.125
Not satisfied 1 2 0.025
Very dissatisfied 2 2 0.05

Statistics of the audience’s overall perception,

Audience perception Group Number of people Percentage
Stage performance communication mode Fine 25 0.625
Good 7 0.175
Normal 3 0.075
Difference 3 0.075
Very bad 2 0.05
Stage performance overall feeling Fine 26 0.65
Good 9 0.225
Normal 3 0.075
Difference 2 0.05
Very bad 0 0

Performance of music audience satisfaction

Performance element Satisfaction Number of people Score Percent
Music, sound production effects Very satisfied 23 115 0.575
Relatively satisfied 11 44 0.275
Normal 4 12 0.1
Not satisfied 1 2 0.025
Very dissatisfied 1 1 0.025
The experience of rhythm between music and light Very satisfied 26 130 0.65
Relatively satisfied 10 40 0.25
Normal 2 6 0.05
Not satisfied 1 2 0.025
Very dissatisfied 1 1 0.025
The music matches the stage picture Very satisfied 27 135 0.675
Relatively satisfied 11 44 0.275
Normal 1 3 0.025
Not satisfied 1 2 0.025
Very dissatisfied 0 0 0
The combination of music and performance style Very satisfied 25 125 0.625
Relatively satisfied 9 36 0.225
Normal 4 12 0.1
Not satisfied 1 2 0.025
Very dissatisfied 1 1 0.025

Sample fixation time analysis

Region Counting point Time before first gaze/s First fixation duration/s Total fixation duration/s
Mean value Total value Mean value Total value Mean value Total value
Spatial interface element 28 1.846 51.688 0.745 20.86 1.615 45.22
Clothing elements 26 1.036 26.936 1.788 46.488 4.024 104.624
Item element 25 2.563 64.075 0.469 11.725 1.498 37.45
Stage composition 10 3.615 36.15 0.318 3.18 0.395 3.95
Lighting element 10 2.036 20.36 0.428 4.28 0.495 4.95
Scenery element 24 1.129 27.096 0.915 21.96 2.648 63.552
All spatial elements 1214 1.978 2401.292 1.348 1636.472 3.379 4102.106

The results of the S-W test of the overall eye movement index

Variable name Median Mean value Standard deviation Skewness Kurtosis S-W test
Time before first gaze 2.00184 1.97909 0.56514 0.31486 0.02796 0.94862
First fixation duration 1.34854 1.3409 0.22196 0.57964 1.03498 0.98348
Total fixation duration 3.39706 3.38583 0.61046 -0.39486 0.63486 0.98764
Language:
English