Research on Cross-Cultural Digital Communication Strategy of Musical Theatre Dance Based on Pattern Recognition Technology

[1] Gennaro, L. (2021). Making Broadway Dance. Oxford University Press. Search in Google Scholar

[2] Lowerre, K. (2017). Music and Musicians on the London Stage, 1695-1705. Routledge. Search in Google Scholar

[3] Bellow, J. (2017). Modernism on Stage: The Ballets Russes and the Parisian Avant-Garde. Routledge. Search in Google Scholar

[4] Taylor, M., & Symonds, D. (2017). Studying musical theatre: theory and practice. Bloomsbury Publishing. Search in Google Scholar

[5] Boffone, T. (2021).Renegades: Digital dance cultures from Dubsmash to TikTok. Oxford University Press. Search in Google Scholar

[6] Strachan, R. (2017). Sonic technologies: Popular music, digital culture and the creative process. Bloomsbury Publishing USA. Search in Google Scholar

[7] Lutterbie, J., & Shaughnessy, N. (2017). Performing the remembered present: The cognition of memory in dance, theatre and music. Bloomsbury Publishing. Search in Google Scholar

[8] Kico, I., Grammalidis, N., Christidis, Y., & Liarokapis, F. (2018). Digitization and visualization of folk dances in cultural heritage: A review. Inventions, 3(4), 72. Search in Google Scholar

[9] Aristidou, A., Shamir, A., & Chrysanthou, Y. (2019). Digital dance ethnography: Organizing large dance collections. Journal on Computing and Cultural Heritage (JOCCH), 12(4), 1-27. Search in Google Scholar

[10] Fuentes, C., Hagberg, J., & Kjellberg, H. (2019). Soundtracking: music listening practices in the digital age. European Journal of Marketing, 53(3), 483-503. Search in Google Scholar

[11] Martin, C. (2019). Whose Dance Is it Anyway?: Carving Out Protection for Short Dances in the Fast-Paced Digital Era. NCL Rev., 98, 1001. Search in Google Scholar

[12] Raya, V. C., Fanggidae, R. E., & Fanggidae, A. J. (2020). Modern dance commodification strategy in tourism promotion (Study on the modern dance community in Kupang city). Journal of Sustainable Tourism and Entrepreneurship, 2(1), 53-67. Search in Google Scholar

[13] Ye, Z., Wu, H., Jia, J., Bu, Y., Chen, W., Meng, F., & Wang, Y. (2020, October). Choreonet: Towards music to dance synthesis with choreographic action unit. In Proceedings of the 28th ACM International Conference on Multimedia (pp. 744-752). Search in Google Scholar

[14] Carter, A. (2017). Dance and dancers in the Victorian and Edwardian music hall ballet. Routledge. Search in Google Scholar

[15] Aristidou, A., Yiannakidis, A., Aberman, K., Cohen-Or, D., Shamir, A., & Chrysanthou, Y. (2022). Rhythm is a dancer: Music-driven motion synthesis with global structure. IEEE Transactions on Visualization and Computer Graphics, 29(8), 3519-3534. Search in Google Scholar

[16] Deer, J., & Dal Vera, R. (2021). Acting in musical theatre: A comprehensive course. Routledge. Search in Google Scholar

[17] Barnish, M. S., & Barran, S. M. (2020). A systematic review of active group-based dance, singing, music therapy and theatrical interventions for quality of life, functional communication, speech, motor function and cognitive status in people with Parkinson’s disease. BMC neurology, 20, 1-15. Search in Google Scholar