Big Data-driven In situ Design and Digital Preservation of Cultural Heritage in Jiangsu Rural Areas
Publié en ligne: 17 mars 2025
Reçu: 05 nov. 2024
Accepté: 11 févr. 2025
DOI: https://doi.org/10.2478/amns-2025-0274
Mots clés
© 2025 Bo Wang, published by Sciendo
This work is licensed under the Creative Commons Attribution 4.0 International License.
China’s rural development and construction is in the transition period from tradition to modernisation, and there is a lack of scientific and systematic theoretical guidance [1]. On the one hand, the villagers’ needs are neglected, and even the rural landscape is destroyed, leading to the lack of nostalgia. On the other hand, there is a waste of resources in the construction process, excessive development of the economy and vigorous development of industry, which ultimately results in the destruction of the ecological environment. Village public space as the main place for villagers to carry out production and living behaviours, and directly show the results of rural construction [2-3]. The above mentioned construction contradictions and problems that may be faced in the development of village construction are undoubtedly a serious challenge to the design of village public space. Nowadays, the research focus of village conservation shows a trend of changing from the previous architectural monolith to the village environment [4-5].
Influenced by the contemporary economic development and overall village construction strengthening, the contemporary transformation of village public space is mainly in the functional attributes of the village public space is also affected by the villagers’ behaviour resulting in structural changes, which can no longer meet the modern needs of contemporary villagers and villages [6-7]. Rural construction is still in the process of practical exploration, and many designers in mainland China have begun to explore various feasible paths for local practice, but there are still certain limitations, including some works that realise local practice by showing the cultural characteristics of villages and trying to solve social problems. However, these works are generally centred around Huang Shengyuan’s design concepts, in which they are absorbed and continued. The problem is that these architects are stuck in the shallow recognition, imitation and application of the existing design ideas, and lack the interpretation and pursuit of locality from a broader field and a deeper level [8-10]. The existence of local practice and regionalism are on the same path of design convergence, gradually stylised, symbolised and entering the misconception of ‘ism’, with many projects only focusing on the pursuit of form. With the continuous interpretation of the connotation of design, localism urgently needs more diversified exploration and practice [11-12].
Meanwhile, in the context of China’s promotion of rural revitalisation, the inheritance and development of intangible cultural heritage has ushered in a valuable opportunity [13]. Turning rural intangible cultural heritage into a cultural resource, while inheriting it, it can also develop rural characteristic tourism culture and cultural industry, enrich rural cultural life, promote rural industrial revitalisation and cultural revitalisation, and then promote the realisation of the strategic goal of rural revitalisation, and realise the creative and innovative development of rural ethnic minority intangible culture [14]. The countryside has a long history and culture, and a rich intangible cultural heritage has been retained in the villages where ethnic minorities live. The protection and inheritance of these intangible cultural heritage has become an important part of rural culture, especially the construction of the operational mechanism in the construction of rural culture, the protection and inheritance of intangible heritage is an important part of it, the intangible cultural heritage and the development of rural cultural services and cultural industries is a complementary and integrated relationship, and intangible cultural heritage culture injects a strong impetus to the construction and implementation of the rural cultural mechanism [15-16]. The diversified presentation of intangible cultural heritage and rural cultural forms has prompted the formation of a deep integration between the elements of intangible heritage and rural culture. Through the development of the deep cultural heritage of non-heritage and rural cultural construction, the non-heritage cultural branding and the construction of rural cultural ecological environment, the cultivation of non-heritage heirs, the market expansion of non-heritage cultural and creative products, and the non-heritage culture to help rural revitalisation, etc., so that the value of non-heritage has been embodied in an all-round way [17].
The research process used the TF-IDF method to extract nouns from the text of locality design and cultural heritage protection from the Sina Weibo platform and count the frequency of the words. The LDA theme model was used to cluster the symbolic elements of images related to locality design and cultural heritage protection in rural Jiangsu. Based on the Hownet Emotion Dictionary, the SO-PMI values of each image category were calculated. Based on the analysis results, it provides strategic guidance for the design of the countryside in Jiangsu, and at the same time, it provides scientific basis for the digital protection of cultural heritage.
Using Sina Weibo as a data source, this study uses text mining techniques to explore public perceptions of rural Jiangsu in terms of place-based design and cultural heritage protection.
Word Frequency-Inverse Document Frequency (TF-IDF) is used to measure the importance of a word in a document set or one of the documents in a corpus. The importance of a word is proportional to how often it appears in a document. A word is considered to be well typed if it occurs TF frequently in one document and rarely in others [18]. Therefore, the TF-IDF algorithm tends to keep the words that have the ability to classify and remove common words.
TF-IDF is TF multiplied by IDF. Where TF refers to the frequency of occurrence of a specified word in that corpus, normalized. Then the TF value is expressed as:
In Equation (1), the numerator is
Inverse Document Frequency measures the general importance of a word by the distribution of documents containing a word in the document set. If the fewer the documents containing the word, the larger the IDF, the better the categorization ability of the word. The IDF for a particular word is calculated as:
LDA is a topic model that outputs the topic of each document in the document set as a probability distribution, which is used to infer the topic distribution of the document, and is often applied to the classification of text. The study establishes a topic model for Jiangsu countryside in terms of place-based design and cultural heritage protection through the LDA model. The training of the model can be described as such a dynamic chain:
The LDA model assumes that topics can be represented by a lexical distribution and an article can be represented by a topic distribution. The LDA topic model is a three-layer Bayesian network structure consisting of documents, topics, and words. When processing with python, only the number of topics, iterations, and Dirichlet parameters need to be determined during model training, and there is no need to label the comment text labels [19].
In this paper, based on the sentiment lexicon of KnowledgeNet Hownet, we customize the sentiment lexicon through the SO-PMI (Sentiment Orientation Point Mutual Information Algorithm) method, expand the sentiment lexicon, and improve the accuracy of the sentiment classification of the text of the design of the rural in situ nature and the protection of cultural heritage in Jiangsu Province.
The SO-PMI algorithm consists of two parts: SO-PMI and PMI. The core idea is to judge the relevance of a word by calculating the probability of the word to be judged appearing at the same time as the benchmark word. If a word has a higher probability of appearing together with a positive word, then the word is a positive sentiment word, i.e., in this paper, the sentiment tendency of a word is judged by judging the relevance of the word to positive or negative words [20].
Where PMI is calculated as:
If PMI>0, it indicates that the two terms are related, and the larger the value, the stronger the correlation. If PMI=0 or PMI<0 it means that the two terms are independent or unrelated.
The formula for SO-PMI is:
In Equation (6), num(pos) and num(neg) refer to the number of positive sentiment words and negative sentiment words of the benchmark dictionary, respectively. In this paper, the positive and negative emotions words from Hownet’s emotion lexicon are used as benchmark words respectively to calculate the SO-PMI values of the words in the text comments. If the SO-PMI with positive emotion words is >0, the word is a positive word. If the SO-PMI with negative sentiment words is <0, the word is judged as a negative sentiment word.
This chapter investigates how the public perceives the current situation of in situ design and cultural heritage preservation in the Jiangsu countryside using the methods described above.
The collection of social media texts is mainly accomplished by the tool Octopus Collector, which is utilized to collect microblog comment texts related to the local design of Jiangsu’s countryside and cultural heritage protection on the Sina Weibo platform, and the number of preliminarily collected comment texts is 3659. After removing 638 invalid comments that were solely filled with emoticons and pictures, 3021 text comments were finally obtained. The collected data is mainly public comments on the local design of rural villages and the protection of cultural heritage in Jiangsu Province.
After collecting the microblog comment texts related to the in-person design of rural villages and cultural heritage protection in Jiangsu Province, these texts were saved in a TXT format file. These microblog comment texts were imported into the ICTCLAS lexical system for text preprocessing work such as lexical segmentation, named entity recognition and lexical annotation, and the TF-IDF algorithm was used to extract the nouns in the texts and to count the word frequencies of the vocabulary.
The LDA theme model was used to cluster image symbol elements related to the local design of the Jiangsu countryside and cultural heritage protection, respectively. The image symbol elements of the local design of Jiangsu countryside are shown in Table 1. Finally, 24 image symbol elements of local design of Jiangsu countryside were obtained, and the ones with higher word frequencies were Lixiang Village (324), Rural Scenery (305), Pan’an Lake Wetland Park (299), and Sacrificial Activity (286), respectively.
Jiangsu village in the land sex design image symbol element
| Sort | Symbolic element | Word frequency | Sort | Symbolic element | Word frequency | Sort | Symbolic element | Word frequency |
|---|---|---|---|---|---|---|---|---|
| 1 | Lee lane | 324 | 9 | Country house | 196 | 17 | Farming | 96 |
| 2 | Pastoral scenery | 305 | 10 | Pastoral building | 186 | 18 | Country design | 94 |
| 3 | Panan lake wetland park | 299 | 11 | Pastoral life | 173 | 19 | Rural transformation | 87 |
| 4 | Sacrificial activity | 286 | 12 | Porcelain | 150 | 20 | Space organization | 65 |
| 5 | People’s commune | 263 | 13 | Knitting | 144 | 21 | Eco-leisure | 61 |
| 6 | Industrial tourism | 255 | 14 | New four army base | 137 | 22 | Red culture | 59 |
| 7 | Wood carving | 241 | 15 | Mugou | 120 | 23 | Historical resources | 57 |
| 8 | Blessing culture | 203 | 16 | Protected landscape | 113 | 24 | Space layout | 55 |
The image symbol elements for cultural heritage protection in rural Jiangsu are shown in Table 2. There are a total of 33 cultural heritage protection image symbol elements, and the ones with higher word frequencies are historical sites (409), Xuzhou Xiangbao (387), Liuqin Opera (365), Clapper Opera (342), and paper-cutting (337), respectively.
The image symbol element of rural cultural heritage in Jiangsu province
| Sort | Symbolic element | Word frequency | Sort | Symbolic element | Word frequency | Sort | Symbolic element | Word frequency |
|---|---|---|---|---|---|---|---|---|
| 1 | Historic site | 409 | 12 | Culture | 279 | 23 | Nanjing yunjin | 189 |
| 2 | Xuzhou incense bag | 387 | 13 | Ecology | 271 | 24 | Yangzhou mess needle embroidery | 186 |
| 3 | Willow | 365 | 14 | Organization | 268 | 25 | The village of Xujin | 176 |
| 4 | Bangzi | 342 | 15 | Braid | 233 | 26 | The village of Kaihonggong | 173 |
| 5 | Paper cutting | 337 | 16 | Printing | 224 | 27 | Pamper | 154 |
| 6 | Rice composition | 322 | 17 | Printing | 209 | 28 | Folk story | 149 |
| 7 | Fishing culture | 314 | 18 | Mount the field | 203 | 29 | Local acrobatics | 132 |
| 8 | Tea culture | 301 | 19 | High mail lake wetland | 196 | 30 | Traditional festival | 128 |
| 9 | 24 solar terms | 299 | 20 | Wu jiang silkworm culture | 192 | 31 | Clothing and clothing | 116 |
| 10 | Industry | 287 | 21 | Thrifty | 191 | 32 | Intercourse | 98 |
| 11 | Talent | 283 | 22 | Brewing | 190 | 33 | Entertainment | 63 |
The clustering analysis of the image symbols of localized design in rural Jiangsu is shown in Table 3. Among them, the category names are based on the righteousness items corresponding to the elements of each category in KnowNet HowNet. However, when naming, there is a situation that is more special. This is the case that the elements contained in some categories are different from each other, and it is not possible to utilize the corresponding terms of the elements in the category to name them, so the problem is solved by manual naming. The image symbols in Table 1 are clustered to obtain 10 image categories of rural transformation (A1), characteristic idyll (A2), regional culture (A3), ecological recreation (A4), red tourism (A5), traditional crafts (A6), participation in village name (A7), sustainable development (A8), spatial pattern (A9), and public space (A10) of the local design of rural villages in Jiangsu.
The rural in Jiangsu province is analyzed by the image symbol clustering
| Categories | Symbolic element |
|---|---|
| A1 | Lee lane,Panan lake wetland park,People’s commune |
| A2 | Pastoral scenery,Pastoral building,Pastoral life |
| A3 | Country house,Farming |
| A4 | Industrial tourism,Eco-leisure |
| A5 | Red culture,Historical resources,New four army base |
| A6 | Wood carving,Porcelain,Knitting |
| A7 | Country design,Rural transformation |
| A8 | Mugou,Protected landscape |
| A9 | Space organization,Space layout |
| A10 | Sacrificial activity,Blessing culture |
The clustering analysis of the image symbols of Jiangsu rural cultural heritage protection is shown in Table 4. The image symbols in Table 2 are clustered, and finally we get 10 image symbols of Jiangsu rural cultural heritage protection: agricultural cultural heritage (B1), intangible cultural heritage (B2), traditional villages (B3), farming culture (B4), seasonal culture (B5), lifestyle (B6), handicrafts (B7), folk arts and crafts (B8), traditional virtues (B9), and cultural revitalization (B10). Category.
Analysis of the symbol clustering of rural cultural heritage in Jiangsu province
| Categories | Symbolic element |
|---|---|
| B1 | Mount the field,Wu jiang silkworm culture,High mail lake wetland |
| B2 | Nanjing yunjin,Yangzhou mess needle embroidery,Xuzhou incense bag,Historic site |
| B3 | The village of Xujin,The village of Kaihonggong |
| B4 | Rice composition,Fishing culture,Tea culture |
| B5 | 24 solar terms,Traditional festival |
| B6 | Clothing and clothing,Intercourse,Entertainment |
| B7 | Braid,Sculpt,Printing,Paper cutting,Brewing |
| B8 | Folk story,Willow,Bangzi,Local acrobatics |
| B9 | Pamper,Thrifty |
| B10 | Industry,Talent,Culture,Ecology,Organization |
The emotional words that modify the symbolic elements of the image of the Jiangsu countryside in locality design and cultural heritage protection were extracted from the collected texts.
The emotion words corresponding to the symbols of the locality design texts are shown in Table 5. According to the corresponding emotion words, it can be judged that the current local design of Jiangsu countryside is not good enough in the aspects of rural transformation (A1), village name participation (A7), sustainable development (A8) and public space (A10).
The emotional words of the text sign in the land design
| Categories | Denounce | Degree adverb | Adjective | Verbs |
|---|---|---|---|---|
| A1 | No | - | Satisfactory | - |
| A2 | - | Very | Distinctiv | - |
| A3 | - | - | - | Remodeling |
| A4 | - | - | - | Develop |
| A5 | - | - | - | Develop |
| A6 | - | Very | Precious | - |
| A7 | No | - | - | Positive |
| A8 | No | - | Complete | - |
| A9 | - | Remodeling | ||
| A10 | No | - | Good | - |
The corresponding emotion words of cultural heritage protection text symbols are shown in Table 6. According to the corresponding emotion words, it can be judged that the current Jiangsu countryside needs to be protected and inherited in terms of intangible cultural heritage (B2), farming culture (B4), festival culture (B5), a hundred craftsmen and women (B7), and folk arts and culture (B8).
Cultural heritage protects text symbols corresponding to emotional words
| Categories | Denounce | Degree adverb | Adjective | Verbs |
|---|---|---|---|---|
| B1 | - | Very | Distinctive | - |
| B2 | - | - | - | Publicity |
| B3 | - | - | - | Remodeling |
| B4 | - | - | - | Carry forward |
| B5 | - | - | - | Pass on |
| B6 | - | - | - | Continuance |
| B7 | - | The most | Superb | - |
| B8 | - | The most | Distinctive | - |
| B9 | - | - | - | Carry forward |
| B10 | - | - | - | Develop |
After extracting sentiment words, the next step will be to use the sentiment dictionary to calculate the SO-PMI value of each sentiment word. After splitting the text into words, the Python program is used to write the code to import the text data into the Hownet emotion dictionary to analyze the corpus, and based on the emotion classification of the semantic words in the training set, the emotion classification is mapped to each text utterance, and the SO-PMI values corresponding to the image symbols of Jiangsu countryside locality design and cultural heritage preservation under each category are calculated.
The SO-PMI values of the image symbols of the in-situ design of Jiangsu countryside are shown in Fig. 1. The total SO-PMI value of the 10 image categories is -85.4, with an overall negative sentiment, indicating that the public is not satisfied with the current in situ design of Jiangsu countryside. The image category with the lowest SO-PMI value is countryside renovation (-58.6), so Jiangsu countryside needs to carry out in situ design in Lixiang Village, Pan’an Lake Wetland Park, and the People’s Commune, People’s Commune and other places for in situ design.

SO-PMI value of the image symbol of the rural area of Jiangsu
The SO-PMI values of the cultural heritage protection image symbols in rural Jiangsu are shown in Figure 2. The total SO-PMI value of the 10 image categories is -44.3. The image category with the lowest SO-PMI value is intangible cultural heritage (-61.8), and the ones with higher SO-PMI values are Baikong handicrafts (78.5) and folk arts and culture (55.9). Therefore, Jiangsu villages need to digitally protect intangible cultural heritage and culturally transmit the hundred crafts and folk arts.

SO-PMI value of the image symbol of rural cultural heritage in Jiangsu
Based on the above analysis, this chapter proposes specific strategies to address the shortcomings of the current rural villages in Jiangsu in terms of geographic design and cultural heritage protection.
In the construction of Lixiang Village, the architectural style of “Daiyun Shanzhu” is integrated, the traditional pattern of “mountain-house-yard-field-water” is continued, and traditional masonry materials are used so that the design is naturally integrated into the village environment, reinterpreting the rural culture of Jiangsu Province. Village culture, shaping the image of the classic village in the minds of villagers and tourists. In terms of specific design, firstly, the two historical buildings of Li Xiang Village, namely the watchtower and the People’s Commune, are repaired and revitalized in a revitalized way to reflect their cultural characteristics. Secondly, improve the surrounding environment, prioritize the design of vernacular low walls to eliminate safety hazards, and increase greening to enhance the quality of the environment, so that it has the potential for reuse. On this basis, the renovated space and facilities are finely sculpted, local materials and techniques are used to enhance the paving, walls and sketches, and old objects are preserved to create a juxtaposition of the old and new and an eye-catching on-site landscape.
For example, the Farming Children’s Park urgently needs to upgrade and improve its supporting functions due to the single facility and the damaged and idle green train carriages. The design incorporates farming, parenting and children’s interests into the current situation, transforms the green train car into a dining space, and increases the farming experience function of the sewage treatment plant, creating a composite functional space that integrates public activities and commercial sales. This move not only provides two different experiences of woodland and field, but also organically integrates the functions of comprehensive services, viewing platforms, science demonstrations, and interactive experiences, creating a leisure place for public activities that attracts people and is suitable for family and children’s entertainment.
For example, the iconic plants in Pan’an Lake Wetland Park are blocked by disorderly buildings and messy vegetation, and traditional sacrificial activities are limited due to the lack of suitable sites. The design takes the iconic plants as the main body, and through the establishment of a centripetal praying site centered on the iconic plants and the shaping of a spatial sequence with the iconic plants as the axis, it re-establishes the function of traditional rituals and activates the symbiotic culture of the village. In this paper, with the help of such a spatial carrier, we cultivate a business card type of festival, taking the iconic plants as the main body, promoting the local praying culture and continuing to organize the annual routine praying activities. Gradually, it attracts villagers and tourists to come here to rest and cool down, and to meet and talk with each other.
Combined with the characteristics of Jiangsu’s rural cultural heritage, there are five types of digital preservation methods: information database, digital archaeology, virtual interactive design, digital museum, and digital publication.
Digital technology has advantages in data collection and organization of Jiangsu rural cultural heritage, cloud storage and management can provide database technology support for the digital protection of Jiangsu rural cultural heritage, and Jiangsu rural cultural heritage related historical documents, local county records, folklore, interviews with relevant people, heritage images, mapping data, audio (video), animation and so on are the contents of the database, according to the data. According to the content of the data, the corresponding categorized information database can be established. For example, the database of folk cultural activities in the cultural heritage of rural villages in Jiangsu, in addition to storing relevant textual information, it can also adopt the way of video to produce documentaries of performances of liuqin opera and bangzi opera for living protection. To build a database of traditional handicrafts, the production process should be recorded, and process animation can also be added to supplement it, while photographs of finished products should be taken to improve the work library. In short, the database should be built with other media networks to achieve a comprehensive docking, adhere to the principle of sharing and openness, which will be conducive to the permanent storage and sharing of cultural heritage in rural Jiangsu, to facilitate the later updating and application of the popularization of rural culture in Jiangsu and inheritance of an important guarantee.
Digital technology can be digitized for all kinds of cultural relics archaeology and restoration, the use of digital technology to obtain three-dimensional data of cultural relics, reverse reverse the missing part of the damaged cultural relics of the data, three-dimensional modeling, and then the real cultural relics for effective restoration. For example, Jingshan Bridge, Guangyun Cang, Jiangsu Ancient City, etc., due to the Yellow River flooding attack, many architectural heritage was buried underground or severely damaged. This kind of relics is very suitable for the use of three-dimensional laser scanning technology on the relics of the relevant information collection, combined with the literature and historical data based on three-dimensional modeling in the software, and combined with virtual reality technology and mixed reality technology for its virtual reproduction, to restore the original appearance of the monument.
In the information database and digital archaeology on the basis of virtual interactive design, the use of digital photography, 3D scanning, engineering drawing 3D modeling and virtual reality technology and other means to create a virtual space scene. Such as the use of AnyCAD and other software to carry out an all-round observation of the three-dimensional model, but it can also be enlarged to observe the internal structure of the space scene and architectural details. Or design interactive games, so that the public can immersively experience the production process of Jiangsu incense buns and Jiangsu paper-cutting, in order to increase the sense of immersion, experience and interaction during online and offline tours, and to experience the charm of the heritage of rural Jiangsu in a three-dimensional and all-round way.
There is no physical museum in rural Jiangsu, and the establishment of a digital museum can save part of the expenditure on building a museum, and it can also have the effect of cultural promotion, i.e., the use of digital methods to project the tangible and intangible cultural heritage of rural Jiangsu from the physical material space to the virtual space. When establishing digital museums, virtual tour entrances can be established, and then combined with digital audio-visual, stereoscopic display, holographic projection, VR, AR, virtual roaming and other technical means to allow the public to tour the museum online on the computer side or cell phone side for virtual scene experience. Scattered on both sides of the Jiangsu Province, many cultural relics, few young people will go to the field to visit, but through the digital means to improve the cultural experience, show the cultural connotation, will let them because of the online cultural experience and the field of the offline visit interest, so as to enter into the depth of interaction with the culture to come.
Based on the preliminary data, the production of communication carriers such as e-books, animated videos, digital journals, APPs, websites, etc. for the promotion of cultural heritage in rural Jiangsu will be carried out. Utilizing the public’s fragmented time, we establish mobile Internet communication supported by QR code technology, use major information platforms to display digital reading materials converted into QR codes, and provide the public with instant access to illustrated explanations and animated videos of cultural heritage in a lively form.
The public’s perception of the current situation of in situ design and cultural heritage protection in the Jiangsu countryside designed in this paper is finally specifically analyzed through the SO-PMI values. The total SO-PMI values of the two are -85.4 and -58.6, respectively, which indicate that the public is not satisfied with the current situation regarding in situ design and cultural heritage protection.
The in situ design of the Jiangsu countryside focuses on the remodeling of places such as Lixiang Village, Pan’an Lake Wetland Park, and the People’s Commune. The renovation process should emphasize the cultural characteristics of the vernacular region, the social needs of the group, and the public spirit of the countryside. Digital preservation of cultural heritage can be carried out by adopting methods such as information databases, digital archaeology, virtual interactive design, digital museums, and digital publications.
