A study on the impact of theater performing arts combined with drama arts on the stage in the context of big data

[1] Kaori,ENDO. (2012). The meaning of the practice of music drama in art education in elementary schools : the beneficial effects on music education considering from the point of relationship with drama education. Journal of Educational Research, 26, 69-77. Search in Google Scholar

[2] Decker, P. (2013). Russian culture and theatrical performance in america, 1891-1933 by valleri j. hohman. Theatre Journal, 65(1), 149-150. Search in Google Scholar

[3] Batiste, Stephanie, L., & (AUTHOR). (2013). The african american theatrical body: reception, performance, and the stage. Modern Drama. Search in Google Scholar

[4] AZMY, HAZEM, CARLSON, & MARVIN. (2013). Introduction: rehearsing arab performance realities. Theatre Research International. Search in Google Scholar

[5] Knowles, & Ric. (2014). Editorial comment: spectatorship. Theatre Journal. Search in Google Scholar

[6] Chen, C., Zhu, J., Yu, J. Y., & Noori, H. (2012). A new methodology for evaluating sustainable product design performance with two-stage network data envelopment analysis. European Journal of Operational Research, 221(2), 348-359. Search in Google Scholar

[7] Song, H., & Cheung, C. (2010). Attributes affecting the level of tourist satisfaction with and loyalty towards theatrical performance in china: evidence from a qualitative study. International Journal of Tourism Research, 12(6). Search in Google Scholar

[8] Davis, & Jim. (2013). Disrupting the quotidian: hoaxes, fires, and non-theatrical performance in nineteenth-century london. New Theatre Quarterly, 29(01), 3-12. Search in Google Scholar

[9] Paul, Patterson, Persephone, & Sextou. (2017). ‘trapped in the labyrinth’: exploring mental illness through devised theatrical performance. Medical Humanities. Search in Google Scholar

[10] Bedamatta, & U. (2016). A mirza’s demands for women, cot and cattle: a multilingual performance in medieval odisha. Medieval History Journal, 0971945815623864. Search in Google Scholar

[11] Bacalzo, D. (2017). The racial mundane: asian american performance and the embodied everyday. by ju yon kim. new york: new york university press, 2015; 304 pp.; illustrations. $89.00 cloth, $28.00 paper, e-book available. Modern Drama, 60(2), 522-525. Search in Google Scholar

[12] Suzanne, & Little. (2015). Repeating repetitiontrauma and performance. Performance Research. Search in Google Scholar

[13] Toye, Margaret, A., Trester, & Marie, A. (2014). The production format and ambiguity of principal in improvised entertainment interaction. Text & Talk. Search in Google Scholar

[14] Fisek, E. (2011). Rites of the republic: citizens’ theatre and the politics of culture in southern france. French Studies. Search in Google Scholar

[15] Urmishree, & Bedamatta. (2016). A mirza’s demands for women, cot and cattle. Medieval History Journal. Search in Google Scholar

[16] A, Z. B., & B, W. H. (2021). Human action identification by a quality-guided fusion of multi-model feature - sciencedirect. Future Generation Computer Systems, 116, 13-21. Search in Google Scholar

[17] Sikander, G., & Anwar, S. (2021). A novel machine vision-based 3d facial action unit identification for fatigue detection. IEEE transactions on intelligent transportation systems(5). Search in Google Scholar