A Study of Artistic Expression and Spectral Data Analysis in Yangqin Performance Techniques
Sep 24, 2025
About this article
Published Online: Sep 24, 2025
Received: Jan 10, 2025
Accepted: May 06, 2025
DOI: https://doi.org/10.2478/amns-2025-0954
Keywords
© 2025 Siyu Wei, published by Sciendo
This work is licensed under the Creative Commons Attribution 4.0 International License.
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Evaluation of the total dimension
| Number | The overall appearance of the work | Accuracy of performance technique | The degree of mastery of some elements | The ability to explain the work |
|---|---|---|---|---|
| Expert 1 | 69 | 60 | 82 | 69 |
| Expert 2 | 68 | 64 | 94 | 92 |
| Expert 3 | 95 | 95 | 80 | 73 |
| Expert 4 | 69 | 64 | 72 | 85 |
| Expert 5 | 66 | 75 | 86 | 78 |
| Expert 6 | 68 | 90 | 81 | 73 |
| Expert 7 | 76 | 67 | 77 | 86 |
| Expert 8 | 68 | 68 | 81 | 77 |
| Expert 9 | 94 | 73 | 84 | 89 |
| Expert 10 | 76 | 64 | 74 | 81 |
| Average | 74.9 | 72 | 81.1 | 80.3 |
Dimension
| Number | Dimension |
|---|---|
| D1 | The difficulty of playing a work |
| D2 | Accuracy of reading spectrometry |
| D3 | Finger ability |
| D4 | Touch key |
| D5 | The use and relaxation of the arm |
| D6 | Pedals |
| D7 | Speed control |
| D8 | Pace |
| D9 | Strength |
| D10 | The performance of timbre |
| D11 | The grasp of music breathing and syntax |
| D12 | The whole line of the melody |
| D13 | Harmony |
| D14 | The integrity and fluency of the work |
| D15 | The curved structure of the play is clear |
| D16 | The performance of the work is reflected in the style of the work |
| D17 | Play is rich in expressiveness |