Research on Optimization Strategy of Stage Presentation Effect of Dance Works Based on Audience’s Psychological Perception
Published Online: Mar 21, 2025
Received: Oct 20, 2024
Accepted: Feb 01, 2025
DOI: https://doi.org/10.2478/amns-2025-0590
Keywords
© 2025 Wen Cai et al., published by Sciendo
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Dance is an aggregate of various factors such as body movements, emotions, stage space, stage technology, etc., which involves the understanding and application of space, body posture and virtual space [1-2]. In the articulated transition between the stage space and the action picture, the various events associated in the same space are arranged and combined in the form of dance movements, which ultimately completes the dance narrative and leads the audience to immerse into the corresponding context and emotions [3-5]. In dance performance, the space is infinite, but the stage environment in which the dancers are located is limited, for a specific performance picture and storyline, the dancers need to take themselves as the only way to narrate and express themselves, and convey as much information as possible in the flowing and limited space [6-9]. The stage space in a dance performance is the key to the dance performance and the medium that separates the audience from the dancers, as well as laying a good foundation for the dancers’ movement performance and narrative expression [10-11]. In different stage spaces, dance works will also present different performance effects, so the stage space will undoubtedly affect the audience’s understanding of the story and emotional perception [12-13]. Stage space is mainly divided into two parts: physical space and virtual space, whose actual sets, props and stage structure create a concrete physical reality environment for the dance performance, while the virtual space created by using lights, colors, movements and other visual effects is more dependent on the audience’s emotions and imagination [14-17].
The stage space has a direct impact on the dance performance and the audience’s emotional experience. Combining different dance works and emotional themes to choose the appropriate dance space, and carry out dance performances based on this, can not only enhance the artistic effect of dance performances, but also further strengthen the emotional exchange between the dancers and the audience, and fully highlight the artistic charm and infectious power of dance performances [18-20]. The influence of the dance space on the dance performance and the audience’s emotional experience is mainly manifested in visual perception, emotional resonance, psychological effect and cultural association.
In this paper, the relationship between the stage presentation effect and the audience’s psychological perception is first examined, and the importance of the design of the stage presentation effect on the audience’s psychological perception is clarified. In improving the stage presentation effect, a low-light image enhancement optimization algorithm based on Retinex theory is proposed, which provides a solution to the problems of stage presentation effect such as insufficient dynamic range of stage brightness, color distortion, etc. The peak signal-to-noise ratio (PSNR) and structural similarity (SSNR) of the stage presentation effect are used as baselines. Two indexes, peak signal-to-noise ratio (PSNR) and structural similarity (SSIM), are taken as the criteria for image quality evaluation. Taking the multi-scale processing strategy as the research idea, the low illumination image enhancement algorithm is optimized, and a Retinex-Net enhancement network based on multi-scale feature adjustment is proposed. A decomposition module is designed to decompose paired images based on Retinex theory. A multi-scale illumination enhancement module is constructed to adjust the illumination components through a multi-resolution branch network, and the relationship between bright and dark areas is effectively coordinated by adjusting the brightness step by step. The reflective component denoising module is proposed, which introduces multi-scale feature extraction and double attention mechanism to realize the denoising of reflective component, and finally improves the brightness enhancement effect and visual quality effectively. The dance work “Richard III” by the students and teachers of the Department of Theatre of the Class of 2023 in A College of Arts is selected as the research object of the stage presentation optimization practice, and the optimization results of the stage presentation are analyzed in-depth to explore the changes of the audience’s psychological perception.
This chapter discusses the influence of stage presentation design on audience’s psychological perception in the performance of stage works, and analyzes how the stage presentation design of stage works affects the audience’s emotions and perceptions through theories.
Visual perception and stage presentation design In modern stage art, stage presentation design and visual perception are two inseparable parts, which together determine the audience’s overall feeling and understanding of stage art. The purpose of stage presentation design is to create visual effects in line with the theme, emotion and atmosphere of the play, so that the audience can enjoy the beauty of the visuals and deepen their understanding of the content of the play. Scenery is the main form of stage visualization, where the figurative or abstract expression of a scene is used to create the necessary time and space background for the play. A good stage presentation design can guide the audience’s visual perception. In the design, the visual focus of the stage should be determined, and the audience’s attention should be guided by the prominence of the lighting or scenery to strengthen the key moments in the play. Formation of emotional resonance Stage presentation design is a crucial aspect of stage art, as it not only shapes the visual scene but also evokes the audience’s emotions through visual elements. The formation of emotional resonance is a complex and subtle process, involving color, shape, spatial layout, and the comprehensive application of multimedia technology. The formation of emotional resonance is a complex and subtle process that involves color, shape, spatial layout, and the integration of multimedia technology. Color is a powerful tool for triggering emotional responses. Shapes and symbols are also important elements in visual language to convey deeper meanings. In modern stage design, multimedia technologies such as video projection, LED screens, and interactive devices are widely used. The integration of these technologies not only brings novel visual effects to the stage, but also communicates with the audience emotionally on a multi-sensory level. Through these technical means, the stage presentation design can achieve a more direct and deeper emotional resonance with the audience, resulting in a greatly enhanced expressive and infectious power of the stage work. Integration, stage presentation design through the color, shape, layout and dynamic elements to affect the audience’s emotional response and emotional experience, this effect is profound and long-lasting. Effective stage presentation design can significantly enhance the artistic impact of the theater and make the audience’s experience richer and more multidimensional.
In the previous chapter, this paper discussed the relationship between the stage presentation effect of dance works and the audience’s psychological perception, and came to the conclusion that the stage presentation effect affects the audience’s psychological perception experience through color, lighting, layout and other elements. In the design of stage presentation effect, due to the complexity and variability of lighting conditions and layout environment, problems such as insufficient dynamic range of stage brightness, color distortion or halo phenomenon often occur, which seriously affects the stage presentation effect and directly produces bad experience on the audience’s psychological perception. In order to solve these problems, this study proposes an image low-light enhancement method based on the improved Retinex algorithm as an optimization strategy for the stage presentation effect, to achieve the improvement of the color and brightness performance of the stage presentation effect [21].
Retinex Theory Retinex theory is a theory that explains color perception in the human visual system.Retinex theory explains why the color of an object can be seen to remain relatively stable despite changes in lighting conditions or viewing angle. It also explains why it is possible to distinguish between colors under different lighting conditions, even though these colors may be physically different. When incident light strikes a reflecting object, it is reflected by the object and forms reflected light, which then enters our eyes and forms the image we see. This process can be accurately described by the following mathematical formula:
According to equation (1), it can be understood that the image
Transforming Eq. (2) and extracting the reflective component yields:
Simultaneous exponential operations on both sides of Eq. (3) give the reflected component:
Image enhancement algorithm based on Retinex theory Single Scale Retinex Algorithm Single Scale Retinex algorithm is the most basic Retinex algorithm [22]. SSR algorithm is able to eliminate or reduce the effect of the light component on the image, so that the reflective properties of the object can be highlighted, thus restoring the original appearance of the image. Its mathematical expression is shown in equation (5):
Where: The center surround function of the SSR algorithm is usually chosen as a two-dimensional Gaussian filter function. The specific Gaussian filter function is shown in equation (6):
In Eq. (6): where Multi-scale Retinex algorithm When the single-scale Retinex (SSR) algorithm is used for image enhancement, it often faces a dilemma: it can only choose between maintaining the color tones and restoring the details, which makes the SSR-processed image may still have many problems. To overcome this challenge, an innovative Multiscale Retinex (MSR) algorithm is proposed on this basis [23]. The algorithm is formulated as equation (8):
Where: It is found by experimental study that when MSR algorithm with color recovery In order to solve the problem that most of the images processed by the MSR algorithm have poor color saturation of the picture and poor visual effect of the human eye, in order to solve this problem, the subsequent researchers on the basis of the MSR algorithm, so an MSR algorithm with color recovery factor (MSRCR) was established, referred to as the MSRCR algorithm. Combining color recovery with MSR algorithm can effectively solve the image color distortion problem in MSR algorithm. The formula of the MCRCR algorithm is shown below:
In Eq. (11):
Where:
The MSRCR algorithm multiplies the three MSR-processed channels with the color recovery coefficient matrix and then combines the three channel components to obtain the final result. The algorithm not only preserves the detailed information in the original image, but also reaches a new level of color realism and visual effect.
Gamma correction employs a power function transformation to make adjustments to an image [24-25]. This is done by performing a power operation on each pixel value and controlling the brightness and contrast of the image by adjusting the size of the power index. Usually, a Gamma value less than 1 will make the image brighter, while a Gamma value greater than 1 will make the image darker. Here is the specific formula for Gamma correction:
Where
Image evaluation criteria are used to evaluate and compare image processing algorithms, image quality, and image recognition systems. It is mainly divided into subjective evaluation and objective evaluation.
Subjective evaluation criteria mainly rely on the observer’s or evaluator’s direct feelings and subjective judgment of image quality. The research goal in the field of image quality evaluation is to develop objective evaluation algorithms based on mathematical models. This section focuses on the objective evaluation methods.
Peak Signal-to-Noise Ratio
Peak signal-to-noise ratio (PSNR) is an objective evaluation standard for measuring the quality of image reconstruction. It measures the image quality by calculating the logarithm of the mean square error (MSE) between the original image and the processed image.The higher the PSNR value, the better the quality of the processed image. Equation (14) gives the definition of PSNR:
Structural similarity
Structural similarity (SSIM) is an image quality evaluation criterion based on structural information. It takes into account the brightness, contrast and structural information of the image, and evaluates the image quality by calculating the similarity between the original image and the processed image in these aspects.The closer the SSIM value is to 1, it means the more similar the processed image is to the original image.The formula for calculating SSIM is as follows:
Where:
Although some traditional brightness enhancement models can effectively improve the overall background brightness of low-light images, they often ignore the relationship between dark and bright areas, which in turn leads to overexposure of the originally bright areas in the image, reducing the visual quality and realism of the image. In this section, image enhancement algorithms are combined with multi-scale processing strategies.
The network consists of a decomposition module, a multi-scale illumination enhancement module and a reflection component denoising module, with the following three main contributions.
First, a decomposition module is designed and proposed which decomposes images under low and normal illumination based on Retinex theory. Unlike other networks that estimate both components simultaneously, this module first estimates the illumination component Fig. Secondly, in order to solve the problem of inconsistent enhancement of dark and bright regions, a multi-scale illumination enhancement module is designed and proposed in this chapter to enable the adjustment of the illumination component maps obtained in the previous stage. Finally, the obtained reflection component maps and the enhanced light component maps are used as inputs for denoising process and detail compensation by the reflection component denoising module. Multi-scale feature extraction module and dual attention module are introduced to adaptively eliminate noise while extracting different scale features to retain the structure and texture information of the image to a great extent.
This chapter describes the implementation process of the Retinex-Net enhanced network based on multi-scale feature conditioning, and details the framework and functions of the three main modules of the network.
Decomposition Module By Retinex theory, the input image where
In order to further improve the network generalization capability, a decomposition module (DCM) is proposed using the U-Net network as a framework. Compared to estimating both components simultaneously, this module takes the approach of first estimating the illumination component
The overall loss function of the DCM is shown in equation (19):
In Eq. (19),
The reflectance map similarity loss
Where,
In order to simultaneously ensure the local smoothness of the light component and the clarity of the image structure, a light smoothing loss function is designed for the light component
where
The reconstruction loss is designed to represent the similarity between the reconstructed image and the original image. The definition of reconstruction loss is shown in equation (23):
Where Multiscale Illumination Enhancement Module This subsection proposes a multi-scale illumination enhancement module (MIEM). This module enhances the brightness of low-light images while avoiding overexposure or underexposure problems. Branch 1 takes Branch 2 enhances the resolution of the output of branch 1 by bilinear upsampling, which is then merged with Since some image information is inevitably lost after up and down sampling the image in the network. Therefore branch 3 is designed and used to recapture the image information lost during the sampling process. This three-branch pyramid network structure captures both the global light distribution information of the low-light image and complements the feature information through hierarchical progression. This enables the pyramid brightness enhancement module to effectively increase image brightness and display image information in the dark while avoiding overexposure and underexposure problems. The overall loss function of MIEM is shown in equation (24):
where
In order to ensure the overall structural feature integrity of the image, the spatial consistency loss function is chosen in this chapter to constrain the spatial consistency before and after enhancement, as shown in Eq. (25):
where
To avoid image blurring, the structural similarity loss
Where, Reflected component denoising module This subsection proposes a reflective component denoising module (RCM) that eliminates noise while preserving as much as possible the structure and texture information of the original image. A multi-scale feature extraction module, MFB, is used in this chapter.The dual attention module, DAB, consists of a feature attention channel and a pixel attention channel, and is able to establish a link between each pixel and feature in the image, and adaptively refine the feature maps of each layer.
The reflection denoising module aims at preserving the image structure, suppressing noise and artifacts, and obtaining a satisfactory visual effect. Therefore, the overall loss function of this module is shown in equation (27):
where
For the problem of the variability of neighboring pixel values in the image, this chapter adds the global variational loss to the overall loss function of the denoising module, which constrains the gradient changes in the horizontal and vertical directions of the image to make the image smoother. The global variational loss
where
Richard III is one of Shakespeare’s early history plays, and it is one of Shakespeare’s plays that has been performed more frequently and more often around the world.The students and faculty of the Theatre Department of the College of Fine Arts, Class of 2023, have conducted a preliminary adaptation and rehearsal of Richard III, which is expected to be performed in May 2025 at a local theater for a public benefit. After seeking the consent of the theatre department students and faculty, this study will incorporate the low-light image enhancement optimization algorithm based on Retinex theory proposed in this paper for the stage presentation of their Richard III stage production.
The performance videos of Richard III before and after the stage presentation optimization practice are recorded respectively, and the video source is transmitted from the binocular camera to the PC and to the FPGA platform through the high-definition multimedia interface. The video data is processed by the video capture module and then transferred to the image processing module and double-rate synchronized dynamic random access memory. The image data is transferred to the scanning control module, and the synchronization and data signals are transmitted to the display receiver in the form of a low-voltage differential signal.
Visual effect evaluation Compare the stage performance images of Richard III before and after the stage presentation optimization practice, and analyze the changes in the overall visual effect of the stage. The histogram comparison of stage performance images is shown in Figure 1. Figure (a) shows the histogram of the performance image before the optimization of the stage presentation effect, and Figure (b) shows the histogram of the performance image after the optimization. It can be seen that the gray level of the stage performance image before optimization of the stage presentation effect is concentrated in the region of 0~100 low gray level, while the gray level of the stage performance image after optimization of the stage presentation effect is concentrated in the region of 50~150 higher gray level, the gray level of the image is shifted to the right as a whole, and the gray level structure of the original image is retained. This shows that under the premise of not changing the image gray level structure of the stage rendering effect, the luminance dynamic range enhancement effect of the Richard III stage performance is obvious, and at the same time, the luminance details in the visual image effect are retained, and the overall visual effect is better. Objective evaluation In order to further verify the effectiveness of this paper’s low-light image enhancement optimization algorithm based on Retinex theory for the optimization of stage presentation effect, this subsection will analyze from the perspective of objective evaluation. The experiments use the peak signal-to-noise ratio (PSNR) and structural similarity (SSIM) as the objective evaluation criteria of image quality; PSNR indicates the quality of image reconstruction, the larger the PSNR, the better the image quality, and the larger the SSIM value also indicates the better the image quality. In the two performance videos of Richard III before and after the practice of stage presentation optimization, the performance images stage1~6 are intercepted according to the six plot nodes, and the performance content in the performance image group is consistent with the scenario, and the performance content corresponding to the performance images is shown in Table 1.

Image histogram
Content of performance
| Image | Content of performance |
|---|---|
| Stage1 | In front of the brother who is Edward IV, he framed the brother who isthe duke of clarence. |
| Stage2 | After Edward iv died, Richard usurped the throne, and the throne was Richard III. |
| Stage3 | Edward’s widow, wife Ann, was deceived by Richard III and married him and then executed. |
| Stage4 | The duke of clarice, who is held in the tower of London, was killed by a killer of his brother Richard III. |
| Stage5 | The earl of Richmond fought against Richard III. Richard III, who is good at camouflage, obtains the support of the people by deception. |
| Stage6 | On the eve of the battle, Richard III dreamed of all the people killed, and they all turned into ghosts to curse him. |
The objective evaluation results of the performance images of Richard III before and after the practice of stage presentation optimization are shown in Table 2. It can be seen that the PSNR and SSIM of the optimized performance image of Richard III are better than those before optimization. The PSNR of the optimized performance image of Richard III has been improved by an average of 89.14% compared with the pre-optimization one, and the SSIM has been increased by an average of 43.42%, with better performance of the stage scene effect, and the low illumination of the stage scene has been improved.
PSNR and SSIM
| Test images | PSNR | SSIM | ||
|---|---|---|---|---|
| Before optimization | After optimization | Before optimization | After optimization | |
| Stage1 | 6.9816 | 13.6077 | 0.4332 | 0.7283 |
| Stage2 | 6.7772 | 12.0666 | 0.4788 | 0.7331 |
| Stage3 | 14.8883 | 28.8903 | 0.6994 | 0.957 |
| Stage4 | 14.9111 | 25.9315 | 0.7063 | 0.9269 |
| Stage5 | 13.946 | 27.4076 | 0.7768 | 0.9648 |
| Stage6 | 13.775 | 27.1954 | 0.638 | 0.9379 |
The Semantic Difference Method (SDM), also known as the SD method, recognizes that human beings share a wide range of emotional meanings for concepts or words, and thus can be investigated by directly asking the respondents “what a concept means”. In this paper, we constructed a semantic difference scale based on 10 pairs of antonym combinations used to characterize the effect of stage presentation, as shown in Table 3. Based on the evaluation factors in the table, this paper takes 1, 2, 3, 4, 5 as the value interval of the scale between each antonym combination from the left to the right, and the above values are symmetrical with 3 as the center point. In other words, the higher the score for each evaluation item, the more biased the evaluation is towards the right-hand side of the adjective. Conversely, the adjectives on the left side are more favorable.
Semantic difference
| Symbol | Evaluation project | Evaluation factor |
|---|---|---|
| M1 | Actor modeling | Ordinary——Aesthetic |
| M2 | Overall style | Abrupt——Unified |
| M3 | Color | Bright and warm——Shadowy and icy |
| M4 | Content accuracy | Wrong——Accurate |
| M5 | Standard of speech | Unregulated——Normative |
| M6 | Language richness | Monolingual——Bilingualism |
| M7 | Number of items | Little——Multi |
| M8 | Prop distribution | Low-density——Dense |
| M9 | Way of performance | Drab——Enrichment |
| M10 | Performance note | Vague——Clear |
The SD factor scores of the Richard III performance before and after the stage presentation effect optimization practice are shown in Table 4. It can be seen that before and after the practice of stage presentation optimization, the performance of Richard III has a large difference in the perception of actor modeling, overall style, color temperature and tone, language richness, number of props, props distribution and performance description, and the difference in the SD factor score is more than 0.4, of which the difference in the SD factor score of the color temperature and tone is the largest and reaches 0.574. The difference in the perception of the accuracy of the content, the norms of the lines and the way of performance is relatively small, and the difference in the SD factor score is less than 0.4. The perceptual differences in content accuracy, line specification and performance style are relatively small, with SD factor score differences of less than 0.4.
SD factor score
| Symbol | Evaluation project | Evaluation factor | Before optimization | After optimization |
|---|---|---|---|---|
| M1 | Actor modeling | Ordinary——Aesthetic | 2.644 | 3.067 |
| M2 | Overall style | Abrupt——Unified | 2.78 | 3.227 |
| M3 | Color | Bright and warm——Shadowy and icy | 2.664 | 3.238 |
| M4 | Content accuracy | Wrong——Accurate | 3.111 | 3.211 |
| M5 | Standard of speech | Unregulated——Normative | 3.059 | 3.368 |
| M6 | Language richness | Monolingual——Bilingualism | 3.02 | 3.464 |
| M7 | Number of items | Little——Multi | 3.298 | 2.834 |
| M8 | Prop distribution | Low-density——Dense | 3.156 | 2.663 |
| M9 | Way of performance | Drab——Enrichment | 2.721 | 3.119 |
| M10 | Performance note | Vague——Clear | 2.781 | 3.271 |
Based on the SD factor scores, the corresponding SD evaluation curve diagram can be drawn, as shown in Figure 2. Thus, it is more intuitive to reflect the difference in the audience’s psychological perception evaluation of Richard III before and after the optimization of the stage presentation effect. Specifically, after the optimization of the stage presentation effect of Richard III using the low illumination image enhancement optimization method based on Retinex theory in this paper, the color temperature and tone of the stage performance is improved from low brightness to bright, the costumes of the actors and actresses are shown in a better environment, which is more beautiful, and the overall style of the performance is more unified, and the number of props applied in the performance is also reduced and optimized. The number of props used in the performance is more uniform, the distribution of props is reduced and optimized, and the performance description is better displayed. The disadvantages of the initial Richard III performance, which was not optimized for stage presentation, were reflected in the fact that the actors’ costumes could not be effectively displayed, the overall style was more abrupt, and the color temperature and hue were more cold.

SD evaluation curve diagram
In order to reflect whether the difference in audience perception is significant, this paper conducted a one-way ANOVA, and the results are specifically shown in Table 5. As can be seen from the table, the perceived variability of the performance of Richard III before and after the optimization of the stage presentation effect is very significant in terms of the overall style, color temperature and hue, props distribution, and performance description (P<0.01), relatively significant in terms of language richness, number of props, and performance mode (P<0.05), and relatively significant in terms of line specification (P<0.1). Correspondingly, the perceived variability in actor styling and content accuracy was not significant.
Single factor analysis of variance
| Symbol | Evaluation project | F | P |
|---|---|---|---|
| M1 | Actor modeling | 1.998 | 0.128 |
| M2 | Overall style | 6.897 | 0.001 |
| M3 | Color | 7.21 | 0.001 |
| M4 | Content accuracy | 1.348 | 0.252 |
| M5 | Standard of speech | 2.941 | 0.043 |
| M6 | Language richness | 6.055 | 0.002 |
| M7 | Number of items | 6.349 | 0.003 |
| M8 | Prop distribution | 6.69 | 0.001 |
| M9 | Way of performance | 3.759 | 0.035 |
| M10 | Performance note | 11.009 | 0.000 |
After clarifying the important influence of effective stage presentation effect on the audience’s psychological perception, this paper proposes a low-light image enhancement optimization algorithm for stage scenes based on Retinex theory as a method to improve the stage presentation effect of stage works. The stage production of Richard III rehearsed by the students and teachers of the Department of Theatre of the Class of 2023 in A College of Arts was chosen as the research object, and the low illumination image enhancement optimization algorithm proposed in this paper was applied to optimize the stage presentation effect in practice. After the optimization of stage presentation effect, the grayscale of the performance image is concentrated in 50~150 higher grayscale areas, comparing with the pre-optimization area concentrated in 0~100 low grayscale areas, the grayscale of the image is shifted to the right as a whole, and at the same time, the original grayscale structure and brightness details are retained. Peak Signal-to-Noise Ratio (PSNR) and Structural Similarity (SSIM) are used as objective evaluation standards for performance image quality. The PSNR and SSIM of the performance image of Richard III after the optimization of stage presentation optimization practice are improved by an average of 89.14% and 43.42% compared to the pre-optimization one, and the performance of the stage scene effect is much better compared to the pre-optimization one. From the perspective of the audience’s psychological perception, the optimization effect of Richard III’s stage presentation was analyzed. The aspects of the stage performance of Richard III before and after the optimization practice in which the difference in the SD factor scores was greater than 0.4 were actor modeling, overall style, color temperature and hue, richness of language, number of props, distribution of props, and performance description, while those in which the difference in the SD factor scores was less than 0.4 were content accuracy, line specification, and performance style, and those in which the difference in SD factor scores was less than 0.4 were content accuracy, line specification, and performance style. Line specification and performance style. The differences in audience perception in terms of overall style, color temperature and tone, prop distribution, performance description, language richness, number of props, and performance style were significant (P<0.05). After the optimization of the stage presentation effect, the performance of the stage work of Richard III presents a bright overall color temperature and tone, the overall style of the performance has been better unified and displayed, and optimization and improvement have been achieved in the presentation of the actors’ costumes and props distribution, which can bring better psychological perception experience for the audience.
